Code | Author | Title |
40001 | Daniel Sheridan | Sounding the Silver Age: The Weimar Lohengrin and Choral Monuments |
40002 | Eva Rieger | Frida Leider and the Nazis |
40003 | Jonas Karlsson | Wagnerian Iconography in the Kladderadatsch, 1914–1944 |
40004 | Barry Millington | Beauty Unveiled [review of Bayreuth Parsifal] |
40005 | Tash Siddiqui | Hara-kiri at the Coliseum [review of ENO Tristan and Isolde] |
40006 | Barry Millington | Nuremberg's Got Talent [review of Munich Meistersinger] |
40007 | Michael Fuller | Love is the Drug [review of Deutsche Oper Tristan und Isolde] |
40008 | Paul du Quenoy | The End of the World Comes to the Potomac [review of the Washington Ring] |
40009 | Michael Fuller | Forbidden Pleasures[review of the Mulhouse Das Liebesverbot] |
40010 | Matthew Rye | Imprisoned by Love [review of Katharina Wagner's Bayreuth Tristan und Isolde on DVD] |
40011 | Barry Millington | The View from Scrutopia [review of Roger Scruton's The Ring of Truth] |
40012 | Tash Siddiqui | The March of Time, or Time to March [review of Barry Emslie's Speculations on German History] |
40013 | David Matthews | How Late It Was, How Late [review of Peter Franklin's Reclaiming Late-Romantic Music] |
40014 | Arnold Whittall | To the Barricades [review of Ortrun Landmann, Wolfgang Mende and Hans-Günter Ottenberg (ed.), Richard Wagner: Kgl. Kapellmeister in Dresden] |