Code | Author | Title |
51001 | Peter Bassett | The Use of Eastern Concepts in Wagner‘s Stage Works |
51002 | Emre Aracı | Wagner and the Ottomans |
51003 | Brooke McCorkle Okazaki | Gender, Japan and the Takarazuka Revue‘s 1968 Tristan und Isolde |
51004 | Matthew Rye | All the World‘s a Stage [reviews of Tristan und Isolde in Frankfurt, Die Meistersinger in Dresden, Parsifal in Strasbourg] |
51005 | Matthew Schmidt | Strait into the Saddle [review of the Singapore premiere of Die Walküre] |
51006 | Niall Hoskin | Nothing's Stirring in the Forest [review of semi-staging of Siegfried in London] |
51007 | Richard Laing | Keeping it in the Family [review of Covent Garden Walküre on DVD] |
51008 | John Warner | Tristan Downplayed [CD review of Tristan und Isolde under Asher Fisch, with Stuart Skelton and Gun-Brit Barkmin] |
51009 | Richard Laing | O, That We Were There! [CD review of Bayreuth 1960 Holländer under Sawallisch, with Franz Crass and Anja Silja] |
51010 | Matthew Rye | A Ride on the Munich Ring Road [CD review of Die Walküre under Simon Rattle] |
51011 | Roger Allen | The Sense of an Ending [review of Alexander Shapiro‘s The Consolations of History] |
51012 | Charlotte de Mille | Going into the Sound [review of Music, Art and Performance from Liszt to Riot Grrrl, ed. Diane V. Silverthorne] |
51013 | Markus Kiesl et al, ed. | In Wagner‘s Footsteps [review of Wandrer heißt mich die Welt: Auf Wagners Spuren durch Europa] |