16001

Simon Trezise

The Mapleson Cylinders: Wagner at the Met, 1900–1904

16002

Werner Breig

Notes on Richard Wagner’s Correspondence from the Zurich Period

16003

Arnold Whittall

A Public–Private Partnership: Wagner’s Voices in Die Meistersinger

16004

Katharina Wagner in conversation with Clemens Risi

The Bayreuth Meistersinger: Some Thoughts on its Production

16005

Barry Millington

Taking Wagner Seriously: reviews of Meistersinger and Parsifal at the Bayreuth Festival

16006

Mark Berry

Below the Gold Standard: review of the Rattle/Braunschweig Siegfried at Aix

16007

Barry Millington

Five-Day Wonder: reviews of Der fliegende Holländer, Tannhäuser and Lohengrin in Munich, Cologne and Berlin

16008

Peter Konwitschny et al

Two Outsiders with Enormous Potential: a conversation with Peter Konwitschny and other members of the production team responsible for the Munich Holländer

16009

Mike Ashman

Manifesto for the New Musicology: review of David Levin's book Unsettling Opera

16010

Arnold Whittall

Two Schools of Mastersong: reviews of the Goodall and Haitink Meistersinger

16011

David Breckbill

A Natural Ring from the Garden: review of the Kempe cycle of 1957

16012

16013

Nila Parly

Barry Emslie

The Cry of the Valkyrie: Feminism and Corporality in the Copenhagen Ring

Not Getting Involved: review of 1999 Wolfgang Wagner Meistersinger