Games of Thrones: Matthew Rye witnesses different examples of power-play in part of an ongoing ‘Ring’, a standalone ‘Götterdämmerung’ and a paganist ‘Lohengrin’
Games of Thrones: Matthew Rye witnesses different examples of power-play in part of an ongoing ‘Ring’, a standalone ‘Götterdämmerung’ and a paganist ‘Lohengrin’
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Reviews of Die Walküre, directed Dietz, conducted Angelico, Kassel, 2019; Götterdämmerung, directed Sugao, conducted Calesso, Würzburg, 2019; Lohengrin, directed Hermann, conducted Mallwitz, Nuremberg, 2019.
November 2019, Volume 13, Number 3, 85–8.
It is not always easy to dip into a Ring cycle mid-flow, as it were. Not having seen the Rheingold in Michael Dietz’s ongoing cycle for Staatstheater Kassel put me at a disadvantage when coming to terms with his staging of Die Walküre. His approach, in spacious designs by Mayke Hegger, is a mixture of the abstract and the concrete, without any sense of a specific milieu but with telltale indications of the contemporary.