Hans von Bülow on Richard Wagner’s ‘Faust’ Overture, translated, introduced and annotated by Thomas Grey
Hans von Bülow on Richard Wagner’s ‘Faust’ Overture, translated, introduced and annotated by Thomas Grey
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November 2009, Volume 3, Number 3, 4–28.
Wagner journeyed, or rather fled, from Riga to Paris in fairly dramatic circumstances in the late summer of 1839, in part to realise a long-standing dream of imitating Giacomo Meyerbeer’s great success in the field of French grand opera, and in part to escape a swelling sea of troubles at home, mostly in the form of mounting debts. in the event, he failed to become a second Meyerbeer. but during his unhappy exile in Paris (as he came to regard it), he did succeed in rediscovering himself as a specifically, emphatically ‘German’ composer, renewing his earlier enthusiasm for the legacy of Mozart, Beethoven and Weber.