About The Wagner Journal
Established in 2007, The Wagner Journal is the world’s leading periodical devoted exclusively to Wagner studies. Combining top-quality writing and high production values, the journal is required reading for anyone concerned with the Wagner phenomenon historically or in performance today. It is edited by Barry Millington.
Issues of The Wagner Journal
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The Wagner Journal, November 2024, Volume 18, Number 3
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The Wagner Journal, July 2024, Volume 18, Number 2
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The Wagner Journal, March 2024, Volume 18, Number 1
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Annual subscriptions to The Wagner Journal, covering three issues, are available at any time during the year.
Journal subscriptions are available to both individuals and institutions. We also offer a 2-year subscription discount.
Free Online Content
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A Longborough Diary 2024
Richard Laing, our reviews editor, shares his experience of playing first violin in the Longborough orchestra under the celebrated Wagnerian, Anthony Negus
A Longborough Diary 2024
Richard Laing, our reviews editor, shares his experience of playing first violin in the Longborough orchestra under the celebrated Wagnerian, Anthony Negus
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Rahway as a New Jersey Bayreuth
Edward A. Bortnichak and Paula M. Bortnichak revel in a Roaring 20s ‘Walküre’, the start of an ambitious Wagnerian venture in New Jersey
Rahway as a New Jersey Bayreuth
Edward A. Bortnichak and Paula M. Bortnichak revel in a Roaring 20s ‘Walküre’, the start of an ambitious Wagnerian venture in New Jersey
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Wagner and Anti-Semitism
Nobody denies that Wagner was an anti-Semite. But was his anti-Semitism expressed in the works themselves?
Wagner and Anti-Semitism
Nobody denies that Wagner was an anti-Semite. But was his anti-Semitism expressed in the works themselves?
Other Back Content
Purchase articles from current and previous issues of The Wagner Journal in PDF format.
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Kate Hopkins, Much More than Volume: Richard Wagner and the Voice
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Arnold Whittall, Telling Tales: Variations on Wagnerian Themes
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Christopher Wintle, Sibling-Incest in the ‘Ring’
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Anja-Rosa Thöming, Academic Research meets Theatrical Practice: The Historically Informed Performance of the ‘Ring’ cycle at the Dresden Music Festival
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