The following is an index of the contents of The Wagner Journal from its inaugural issue of March 2007. It is divided into two sections, Features and Reviews, each further sub-divided for easy reference.

 

Features

Life, Personality, Family, Friends

Emre Aracı, Wagner and the Ottomans

Peter Bassett, How Tristan and Isolde Almost Went Down to Rio

Dagny R. Beidler, The Rosebush Pictures of Wagner’s Daughter Isolde

Dagny Beidler, Steadfast and Upstanding: Franz Wilhelm Beidler, Richard Wagner’s Eldest Grandson

Mark Berry, The Positive Influence of Wagner upon Nietzsche

Werner Breig, Notes on Richard Wagner’s Correspondence from the Zurich Period

Judith Cabaud and Barry Millington, ‘A Breath of Sorrow’: The Tragic Romance of Richard Wagner and Mathilde Wesendonck with six poems of Mathilde’s published for the first time

David Conway, Jews, Music and Wagner

David Cormack, An Abduction from the Seraglio: Rescuing Jessie Laussot

David Cormack, Antipodean: The Converse Life of David Irvine, with Four Unpublished Letters

David Cormack, Our English Monster-Man

Eric Doughney, Winifred Wagner: Wahnfried, Politics and Individuation

Eric Doughney, Wagner and Parsifal: A Jungian and Eriksonian Perspective

Laurence Dreyfus, Extract from Parsifal’s Seduction: A Novel

Ulrich Drüner, Legend and Reality in Wagner’s Creativity

Barbara Eichner and Guy Houghton, Rose Oil and Pineapples: Julius Cyriax’s Friendship with Wagner and the Early Years of the London Wagner Society

Barry Emslie: The Volk That Wagner Loved to Hate: A Reply to Derek Hughes

Barry Emslie, Wagner: Race, Nation, Culture

Barry Emslie, Sanna Pederson, Eva Rieger, Nicholas Vazsonyi, Gender, Sexuality and Love in Wagner: An Electronic Roundtable

J.P.E. Harper-Scott, Wagner, Sex and Capitalism: An Ideological Critique to Supplement Laurence Dreyfus’s Wagner and the Erotic Impulse

Joseph Horowitz, Ludwig Revisited 

Derek Hughes, Wagner and the Boryspil Pogrom: A Reply to Barry Emslie

Derek Hughes, Wagner and ‘the Jew Guggenheim’

Derek Hughes, Wagner: Race, Nationalism and Other Distractions

Derek Hughes, Wagner: The Pogrom and the Critics

Derek Hughes, Wagner’s Worst Joke

Ingrid Kapsamer, Wieland Wagner’s Intellectual Path

Jonas Karlsson, Bernhard Loeser and the Berlin Premiere of Die Meistersinger

Jonathan Kregor, Liszt’s Wagner

Heath Lees, Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Musical Trio

Bryan Magee, Wagner and Thomas Love Peacock: An Unlikely Alliance

Barry Millington, Edward Burne-Jones, George Eliot and Richard Wagner: A Collision of Like-minded Souls

Adrian Müller, Kurt Overhoff and Wieland Wagner’s Bayreuth

Eva Rieger, ‘Only You Could Save Bayreuth!’: The Life of Richard Wagner’s Granddaughter Friedelind

Eva Rieger, A Postscript to ‘A Breath of Sorrow’

Tash Siddiqui, Richard Wagner and the Mystery of Old Compton Street

Stewart Spencer, Wagner and Gaetano Ghezzi

Katherine Syer, Setting the Record Straight: Wendelin Weißheimer and the Wagners

Michael Trimble, Dale C. Hesdorffer, Robert Letellier and Gordon T. Plant, In Wagner’s Eyes: Casting Light on a Disputed Portrait

Hans Rudolf Vaget, ‘Es lebe Amerika!’: Richard Wagner and the United States

Nicholas Vazsonyi, Wagner®: the Making of a Brand

Chris Walton, The Other Minna Wagner, Or: When Richard and Minna Can-Canned in Vienna

Chris Walton, Richard Wagner and the Artist Gustav Gaul: Newly Discovered Drawings in the Austrian National Library

Chris Walton, Tribschen for the Birds? Richard Wagner, Enmeshed in Litigation

Chris Walton, Voicing Mathilde: Wagner’s Controlling Muse

Chris Walton, Zurich’s ‘Villa Rienzi’: A Newly Discovered Picture of Wagner’s Lakeside Home

 

Reception, Influence, Posthumous Matters

Udo Bermbach, German Readings of the Ring

Leo Cabranes-Grant, Kierkegaard, Wagner and the Quest for Operatic Immediacy

Deborah Calland and Barry Millington, ‘Lonely Walk’: An Unpublished Song by Alma Schindler-Mahler

Jeremy Coleman, Redemption from the Redeemer? Review Article on Roger Scruton and his Wagner’s ‘Parsifal’

David Cormack, Ernest Newman in ‘Naziland’: In Search of Otto Strobel 

David Cormack, Turning the Telescope Round

Adrian Daub and Elisabeth Bronfen, Broomhilda Unchained: Tarantino’s Wagner

Paul du Quenoy, ‘Honeymoon to Bayreuth’: French Appreciations of Richard Wagner in the Interwar Era

Barry Emslie, Being German: Richard Wagner and Thomas Mann

Paula Fourie, Predicting Apartheid’s Götterdämmerung? Wagnerian Spectres in the Work of Etienne Leroux

Kate Hopkins, A Wagnerian Novel: Willa Cather’s The Song of the Lark

Derek Hughes, ‘There Was No Need To Spell It Out’: Early Wagner Criticism and the Question of Anti-Semitism. Part 1: Der Ring des Nibelungen

Derek Hughes, ‘There Was No Need To Spell It Out’: Early Wagner Criticism and the Question of Anti-Semitism. Part 2: Parsifal and Die Meistersinger von Nürnberg

Stephen Johnson, Janne’s Rhine Journey: What Sibelius Learned From Wagner

Jonas Karlsson, ‘In that hour it began’? Hitler, Rienzi, and the Trustworthiness of August Kubizek’s The Young Hitler I Knew

Jonas Karlsson, Wagnerian Iconography in the Kladderadatsch, 1914–1944

William Kinderman, From Death in Venice to The Magic Mountain: Thomas Mann’s Ironic Response to Wagner

Joachim Köhler, Wagner’s Acquittal

Barry Millington, Manifestations of the Gesamtkunstwerk in Fin-de-Siècle Vienna

Barry Millington, Wagner and the ‘English Musical Renaissance’

Israfel Mondego [alias Gertrude Hudson], Buggins at Bayreuth

Kirsten Paige, On the Politics of Wagnerian Care

Charlotte Purkis, Passion or Fashion? British Female Wagnerites ‘Out and About’ Around 1900

Alex Ross, Götterdämmerung 1945: Wagnerian Fantasies in English-Language Reports of Hitler’s Death

Alexander H. Shapiro, McEwan and Forster, the Perfect Wagnerites

Na’ama Sheffi, Sound of Silence and Struggle: Wagner and the Israelis

Diane V. Silverthorne, Wagnerism – No End in Sight

Anna Stoll Knecht, Mahler’s Parsifal

Jeffrey Swann, Wagner and Proust

Katherine Syer, Die Frau ohne Schatten: A Wagnerian Succession Story

Hans Rudolf Vaget, The Importance of Ernest Newman

Hans Rudolf Vaget, Knappertsbusch in Bayreuth

Hans Rudolf Vaget, Nazi Cinema and Wagner

Hans Rudolf Vaget, ‘Operation Walküre’: The Movie and the History

Nicholas Vazsonyi, Warning: Consuming Wagner Can be Hazardous to your Health. Tristan und Isolde and Death in Venice

Hilan Warshaw, ‘Music Made Visible’: Sergei Eisenstein’s Die Walküre and the Birth of Vertical Montage

Arnold Whittall, From Wagner to Boulez: A Modernist Trajectory

Ben Winters, Magic Fire: A Wagner Film with a Difference

 

Performance, Interpreters

Roger Allen, ‘Enthüllet den Gral’: Towards a Methodology of Historical Wagner Recordings

Roger Allen, Of Bridge-Builders, Arch-Critics and Miniaturists: The Art of Wagner Conducting

Owe Ander, Rienzi in Swedish (1865): The Case of the Stockholm Score

David Breckbill, Wagner Tenors and the Quest for the ‘Ideal’

David Breckbill, ‘Where’s the Drama?’ Personal Reflections on the Intersection of Music and Theatre in Wagner Performance

Chang Tou Liang, Wagner in the Tropics

Joseph Horowitz, Remembering Artur Bodanzky

Niall Hoskin, ‘Ein edler Werk zu tun’: An Appreciation of Norman Bailey (1933–2021) 

Derek Hughes, New Witnesses of Toscanini’s Bayreuth

Michael Letchford, Therese Malten: Wagner’s Devoted Kundry

Brooke McCorkle Okazaki, Gender, Japan and the Takarazuka Revue’s 1968 Tristan and Isolde

Karin Martensen, Being Isolde: The Theory and Practice of Anna Bahr-Mildenburg

David Milsom, Style and Sonority in Wagner String Performance

Eva Rieger, Frida Leider and the Nazis

Eva Rieger, How a Women’s Network Kept Wagner’s Tradition Alive

Katherine Syer, ‘It was obviously meant to be’: An Interview with Pietari Inkinen

Simon Trezise, The Mapleson Cylinders: Wagner at the Met, 1900–1904

Simon Trezise, Reflections on Phrasing and Expressive Gesture in Wagner Singing

Chris Walton, Adapting Wagner for the Young: An Interview with Merle Fahrholz and Alvaro Schoeck

Philip White, ‘It was all totally by chance ...’: a Decade Working as an Assistant Chorus Master at the Bayreuth Festival

 

Staging, Direction, Design

Mark Berry, Interpreting Wagner’s Dreams: Staging Parsifal in the Twenty-first Century

Edward A. Bortnichak, Bayreuth Masterclass in the Dynamics of Change: An Appreciation of Katharina Wagner’s Production of Die Meistersinger

Edward A. Bortnichak and Paula M. Bortnichak, Dreaming and Being: Perspectives on Yuval Sharon's Bayreuth Lohengrin

Edward A. Bortnichak and Paula M. Bortnichak, Kindred Spirits of Meiningen and Bayreuth

Edward A. Bortnichak and Paula M. Bortnichak, The New Wagnerian Menagerie: Bayreuth as Social Evolution and Bioethics Laboratory

Edward A. Bortnichak and Paula M. Bortnichak, Reflections on Dmitri Tcherniakov’s Der fliegende Holländer: Everyman’s Search for Home and Justice

Susan Bullock, Charles Edwards, Keith Warner, Tash Siddiqui, A Director Prepares: A Roundtable in the Rehearsal Room

Russell Burdekin, Darkening the Auditorium at Bayreuth in 1876

Patrick Carnegy, Designs on the Ring: Unravelling the Mystery Surrounding Josef Hoffmann’s Original Sketches

Patrick Carnegy, Reckoning up the Ring: A Mathematician’s Diary of Bayreuth 1876

Jerry Floyd, Cooking the Ring: Francesca Zambello on her production for San Francisco

Joachim Herz, Postmodernism Occupies Richard Wagner

Peter Konwitschny, Johannes Leiacker and Werner Hintze, Interview: Two Outsiders with Enormous Potential

Wendy Ligon Smith, Mariano Fortuny and His Wagnerian Designs

Richard Mecarsel, Wagner, Artaud and Brecht: The Shaping of Modern Art

Barry Millington, All in it Together: the Gesamtkunstwerk Revisited

Philippe Olivier, The Ring in France 1911–2006

Nila Parly, Doing the Diva Dying: Performative Studies of Death in Tristan und Isolde

Clemens Risi, Wagner and German Regietheater: In Search of New Analytical Approaches

Tash Siddiqui, Flying the Republican Colours: The 1929 Krolloper Production of Der fliegende Holländer

Diane V. Silverthorne, Wagner’s Tristan und Isolde, Arranged Mahler, Roller: The Will Made Visible 

Robert Sollich, Staging Wagner – and its History: Die Meistersinger von Nürnberg on a Contemporary Stage

Katherine Syer, Echoes of the Green Hill: Detecting the Influence of Bayreuth in Three Contrasting Productions of Tristan

Katherine Syer, Ring in the New Century

Wagner Staging: The Debate Continues (Transcript of Roundtable Discussion at ‘Wagner in Performance’ Conference)

Katharina Wagner in conversation with Clemens Risi, The Bayreuth Meistersinger: Some Thoughts on its Production

Keith Warner, Gesamt Werk Kunst: A Few New Thoughts

Keith Warner, Sachs in a Dream World

Keith Warner, ‘A Theatre of Generosity’: The Ideas Behind His Production of the Ring for Covent Garden

Simon Williams, Timely Timelessness: Regietheater at Bayreuth in the 1970s

 

Miscellaneous

David Breckbill 1957–2016: Barry Millington pays tribute to a valued friend and colleague

Matthew Rye 1962–2023: Barry Millington pays tribute to an incomparable colleague

Nicolas Bell, Wagner Manuscripts at the British Library

Sigmund Freud, Totem and Taboo (extract)

Barry Millington, Under the Covers: A Report on the Reopened Wahnfried and New Archives in Bayreuth

Alma Schindler-Mahler, ‘Einsamer Gang’, published for the first time in a special supplement

Tash Siddiqui, ‘Guy and Doll’, ‘Isolde ohne Tristan’ and a Silent Soprano: Report on the ‘Wagner 1900’ Conference

Tash Siddiqui, Strange and Forbidden Fruits: Report on the Conference at Leeds University

Tash Siddiqui, Valhalla Online: The Wagner Journal’s New Website

 

Prose Writings

Roger Allen, ‘On the Destiny of Opera’: The Musically Conceived Drama or ‘Deeds of Music made Visible’

Michael Dyson, Sea, Mirror, Woman, Love: Some Recurrent Imagery in ‘Opera and Drama’

Hilda Meldrum Brown, Richard Wagner and the ‘Zurich writings’ 1849–51: From Revolution to Ring

Richard Wagner, The Artwork of the Future, translated by Emma Warner and edited by Tash Siddiqui: A Special Issue of The Wagner Journal

Richard Wagner, Bellini’s ‘Norma’, translated by Stewart Spencer

Richard Wagner, Autobiographical Sketch (to 1842), translated and annotated by Thomas Grey

Richard Wagner, On the Destiny of Opera: An Academic Lecture by Richard Wagner, translated and annotated by Roger Allen

Richard Wagner, Observations on Today’s German Opera Scene, translated by Niall Hoskin 

Richard Wagner, Report on the Production of Tannhäuser in Paris, translated by Niall Hoskin

Richard Wagner’s Open Letter to Marie Wittgenstein on Liszt’s Symphonic Poems, introduced, edited and translated by Thomas S. Grey

Chris Walton, Wagner, Berlioz and the Origins of Über das Dirigieren

 

Works: Miscellaneous

Peter Bassett, The Use of Eastern Concepts in Wagner’s Stage Works

Peter Bloom, Tracking Träume: The Sources and Sounds of Wagner’s Wesendonck Lied

Edward A. Bortnichak and Paula M. Bortnichak, Wagner’s Voyage from Der fliegende Holländer to Parsifal: A Reappraisal of the Importance of Marryat’s The Phantom Ship

Mark B. Chadwick, Wagner and Science: Twilight of the Gods Across the Multiverse

Jeremy Coleman, ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

Hans von Bülow on Richard Wagner’s Faust Overture, translated, introduced and annotated by Thomas Grey

Kate Hopkins, Agents of Loving Empathy: Wagner Heroines Reassessed

Wolfgang Mende, From the Workshop of a Mythmaker: Wagner’s Ideology of Inspiration and the Evidence of the Sketches

Malcolm Miller, Spinning the Yarn: Intertextuality in Wagner’s Use and Reuse of his Songs in his Operas

Malcolm Miller, ‘This Round of Songs’: Cyclic Coherence in the Wesendonck Lieder

Barry Millington, Happy Families: A Wagner Singspiel Rediscovered

Richard Moukarzel, Wagnerian Irony, a German Romantic Affair? Universalpoesie and the Literary Legacy of Schlegel, Tieck and Hoffmann

John Pierce O’Reilly, ‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s Late Music Dramas

Christopher Wintle, Wagner’s Spatial Style

 

Works: Der fliegende Holländer

Edward A. and Paula M. Bortnichak, Redeeming Senta 

Michael Fuller, Redemption in Wagner: The Case of Senta

Kate Hopkins, Deluded Neurotic or Visionary Woman of the Future? Senta Revalued

 

Works: Tannhäuser

Arnold Whittall, Tannhäuser: The Rhetoric of Opposition in Wagner’s Romantic Operas 

 

Works: Lohengrin

Liszt on Lohengrin (or: Wagner in absentia), Part 1, translation from The Monthly Musical Record introduced and edited by David Trippett

Liszt on Lohengrin (or: Wagner in absentia), Part 2, translation from The Monthly Musical Record edited by David Trippett

Liszt on Lohengrin (or: Wagner in absentia), Part 3, translation from The Monthly Musical Record edited by David Trippett

Daniel Sheridan, Sounding the Silver Age: The Weimar Lohengrin and Choral Monuments

 

Works: Der Ring des Nibelungen

Roger Allen, ‘The old order changeth, yielding place to new’: Siegfried Act III, Scene 1

Richard H. Bell, Teleology, Providence and the ‘Death of God’: a New Perspective on the Ring Cycle’s Debt to G.W.F. Hegel

Richard H. Bell, Wagner’s Siegfried Act III Scene 1: A Study in ‘Renunciation of the Will’ and the ‘Sublime’

Edward A. Bortnichak and Paula M. Bortnichak, The ‘Missing Link’ in the Evolution of Wagner’s Siegfried

Werner Breig, Craft and Magic: Forges and Forging in Wagner’s Ring

Laurence Dreyfus, Siegfried’s Masculinity

Michael Dyson: ‘Do not speak of the Volsungs’: Brünnhilde’s Rescue of Sieglinde from Wotan

Barry Emslie, The Kiss of the Dragon-Slayer

Kimberly Fairbrother Canton, Redeeming the Rhinemaidens: A Reconsideration of their Dionysian and Apollonian Attributes

Edward R. Haymes, The Introduction of Nordic Sources for the Nibelung Legend into Germany

Joachim Köhler, The Ring and the Romantic Tradition

Nila Parly, Visions of the Ring

Otto Rank, The Incest Motif in Wagner, translated by Anthony Negus, introduced and edited by Christopher Wintle 

Stella P. Revard, Making All Things New: From Paradise Lost to the Ring

Suddhaseel Sen, Brünnhilde, the Aryan Satī: Wagner and German Orientalism

Alexander Shapiro and Barry Emslie, ‘All is Clear to me Now’: Brünnhilde as World Historical Hero

Michael Trimble, Dale C. Hesdorffer and Robert Letellier, The Mystery of Wotan’s Missing Eye

Arnold Whittall, ’Accompanied by solemn songs’: Wagner’s Ring as it might have been

Arnold Whittall, Heroic Gestures and Family Values in Wagner’s Ring

Arnold Whittall, A Tale of Two Brothers: The Giants and the Ring

Arnold Whittall, A Tale of Two Sisters: Brünnhilde, Waltraute and the Fate of Valhalla

Christopher Wintle, Wotan’s Offspring: A Clarification 

 

Works: Tristan und Isolde

Roger Allen, ‘Das, was eigentlich Musik’: Richard Wagner’s Reception of Beethoven’s Piano Sonata No. 28, Op. 101

John Deathridge, Public and Private Life: Scenes and Episodes from the Composition of Tristan und Isolde

 

Works: Die Meistersinger von Nürnberg

Paula M. Bortnichak and Edward A. Bortnichak, Dream Work: The Inner World of Die Meistersinger

Ryan M. Prendergast, Deadly Serious: Humour and Humourlessness in Die Meistersinger von Nürnberg

John Warner, ‘Es klang so alt, und war doch so neu.’ Wagner’s Greatest Myth: Musical Historicism in Die Meistersinger von Nürnberg

Arnold Whittall, A Public–Private Partnership: Wagner ’s Voices in Die Meistersinger

 

Works: Parsifal

Genevieve Robyn Arkle, Expressions of Suffering: The Five ‘Turn Motifs’ of Wagner’s Parsifal

Mark Berry, Is it Here that Time becomes Space? Hegel, Schopenhauer, History and Grace in Parsifal

Edward A. Bortnichak and Paula M. Bortnichak, Monsalvat’s Magnetic Wand

Edward A. Bortnichak and Paula M. Bortnichak, Parsifal as Contagion Narrative and Discourse of Mourning

Patrick Carnegy, Syberberg’s Parsifal and the Soul of Germany

Tom DeRose, Wagner, Freud and Nietzsche in Berlin 

Laurence Dreyfus, Music and the Unseen: Narrative Paradigms in Parsifal

Stephen Gee, Wagner’s Parsifal: A Hymn of Purity and Danger

Vanessa K. Iacocca, Reciprocal Redemption: Parsifal, Kundry and Shared Compassion as Wagner’s Allegorical Vision for Germany

Justin Mueller, The Remediated Soundscape of Syberberg’s Parsifal

Peter Quantrill, Knappe oder Ritter?

Eva Rieger, Kundry’s Kiss and the Fear of Female Desire: A Gender Perspective

Ivan Ward, Parsifal as Castration Drama

Christopher Wintle, Kundry’s Baptism, Kundry’s Death

 

Reviews

Reviews (live and streamed performances)

Die Feen, directed Doucet, conducted Schirmer, Leipzig, 2013. Mark Berry.

Die Feen, directed Doucet, conducted Foremny, Leipzig, 2022. Michael Fuller. 

Der fliegende Holländer, directed Abaris and Šeduikis, conducted Pitrenas, Klaipėda, Lithuania, 2020 (via OperaVision). Michael Fuller.  

Der fliegende Holländer, directed Albery, conducted Albrecht, Royal Opera House, London, 2009. Tash Siddiqui.

Der fliegende Holländer, directed Albery, conducted Nánási, Royal Opera House, London, 2024. Richard Laing.

Der fliegende Holländer, directed Christopher Alden, conducted Debus, Toronto, 2022. Wayne Gooding.

Der fliegende Holländer, directed David Alden, conducted Guggeis, Santa Fe, 2023. Simon Williams.

The Flying Dutchman, directed Bradley, conducted Burke, OperaUpClose, 2023. Richard Laing.

Der fliegende Holländer, directed Everding, conducted Nézet-Séguin, New York Met, 2017. Paula M. and Edward A. Bortnichak.

Der fliegende Holländer, directed Gloger, conducted Thielemann, Bayreuth, 2012. Tash Siddiqui. 

Der fliegende Holländer, directed Gürbaca, conducted Pointner, Antwerp, 2016. Matthew Rye. 

Der fliegende Holländer, directed Guthrie, conducted Negus, Longborough, 2018. Christopher Wintle.

Der fliegende Holländer, directed Holten, conducted Fiore, Helsinki, 2016 (via OperaVision). Michael Fuller.

Der fliegende Holländer, directed Homoki, conducted Altinoglu, Royal Festival Hall, London, 2012 (concert perf.) and Zurich, 2013. Tash Siddiqui, Laura Möckli.

The Flying Dutchman, directed Kent, conducted Gardner, English National Opera, London, 2012. Tash Siddiqui.

Der fliegende Holländer, directed Kent, conducted Mallwitz, Copenhagen, 2014. Michael Fuller.

Der fliegende Holländer, directed Klepper, conducted Fiore, Dresden, 2019. Michael Fuller. 

Der fliegende Holländer, directed Konwitschny, conducted Auguin, Munich, 2008. Barry Millington. 

Der fliegende Holländer, directed Spuck, conducted Runnicles, Deutsche Oper Berlin, 2017. Michael Fuller.

Der fliegende Holländer, directed Tcherniakov, conducted Lyniv, Bayreuth, 2021 (streamed). Matthew Rye.

Der fliegende Holländer, directed Tcherniakov, conducted Lyniv, Bayreuth, 2022. Barry Millington.

Götterdämmerung, directed Braunschweig, conducted Rattle, Aix-en-Provence, 2009. Mark Berry.

Götterdämmerung, directed Cassiers, conducted Barenboim, Schillertheater, 2013. Mark Berry.

Götterdämmerung, directed Freyer, conducted Conlon, Los Angeles, 2010. Simon Williams.

Götterdämmerung, directed Krämer, conducted Jordan, Opéra Bastille, Paris, 2011. Mark Berry.

Götterdämmerung, directed Kratzer, conducted Brown, Karlsruhe, 2017. Matthew Rye.

Götterdämmerung, directed Lane, conducted Negus, Longborough, 2023. Barry Millington.

Götterdämmerung, directed Lepage, conducted Luisi, New York Met, 2012. Wayne Gooding.

Götterdämmerung, directed Privett, conducted Negus, Longborough, 2012. Barry Millington.

Götterdämmerung, directed Sugao, conducted Calesso, Würzburg, 2019. Matthew Rye. 

Götterdämmerung, directed Stöppler, conducted García Calvo, Chemnitz, 2018. Matthew Rye.

Götterdämmerung (concert perf.), directed Mumford, conducted Farnes, Leeds, 2014. Anastasia Belina-Johnson.

Götterdämmerung (concert perf.), conducted Jurowski, Royal Festival Hall, London, 2024. Richard Laing.

Das Liebesverbot, directed Clément, conducted Trinks, Mulhouse, 2016. Michael Fuller.

Das Liebesverbot, directed Stiehl, conducted Foremny, Leipzig, 2013. Mark Berry.

Das Liebesverbot, directed Stiehl, conducted Foremny, Leipzig, 2022. Michael Fuller. 

Das Liebesverbot (concert perf.), conducted Negus, Cadogan Hall, London, 2015. Barry Millington.

Lohengrin, directed David Alden, conducted Nelsons, Royal Opera House, London, 2018. Tash Siddiqui.

Lohengrin, directed David Alden, conducted Eun Sun Kim, San Francisco, 2023. Simon Williams.

Lohengrin, directed Audi, conducted Albrecht, Amsterdam, 2014. Michael Fuller.

Lohengrin, directed Bieito, conducted Pintscher, Berlin Staatsoper, 2020 (online). Michael Fuller.  

Lohengrin, directed Friedrich, conducted Schønwandt, Deutsche Oper Berlin, 2008. Barry Millington.

Lohengrin, directed Friedrich, conducted Schønwandt, Deutsche Oper Berlin, 2010. Mark Berry. 

Lohengrin, directed Girard, conducted Nézet-Séguin, New York Met, 2023. Katherine Syer.

Lohengrin, directed Gürbaca, conducted Netopil, Essen, 2016. Matthew Rye.

Lohengrin, directed Guth, conducted Barenboim, Milan, 2012. Emanuele Senici. 

Lohengrin, directed Guth, conducted Jordan, Opéra Bastille, Paris, 2016. Michael Fuller.

Lohengrin, directed Herheim, conducted Barenboim, Berlin Staatsoper, 2009. Barry Millington.

Lohengrin, directed Hermann, conducted Mallwitz, Nuremberg, 2019. Matthew Rye.

Lohengrin, directed Holten, conducted Kober, Deutsche Oper Berlin, 2016. Michael Fuller. 

Lohengrin, directed Homoki, conducted Young, Zurich, 2014. Michael Fuller.

Lohengrin, directed Jones, conducted Koenigs, Munich, 2019. Michael Fuller.

Lohengrin, directed Konwitschny, conducted Layer, Copenhagen, 2007. Barry Milllington. 

Lohengrin, directed Konwitschny, conducted Schirmer, Leipzig, 2009. Mark Berry.

Lohengrin, directed Moshinsky, conducted Bychkov, Royal Opera House, London, 2009. Barry Millington.

Lohengrin, directed Neuenfels, conducted Nelsons, Bayreuth, 2010. Barry Millington. 

Lohengrin, directed Neuenfels, conducted Nelsons, Bayreuth, 2011. Barry Millington. 

Lohengrin, directed Neuenfels, conducted Nelsons, Bayreuth, 2012. Tash Siddiqui. 

Lohengrin, directed Serebrennikov, conducted Soddy, Opéra Bastille, Paris, 2023 (streamed). Richard Laing.

Lohengrin, directed Sharon, conducted Thielemann, Bayreuth, 2018. Barry Millington. 

Lohengrin, directed Sharon, conducted Thielemann, Bayreuth, 2019. Barry Millington.

Lohengrin, directed Widder, conducted Huber, Pforzheim, 2015. Matthew Rye.

Die Meistersinger von Nürnberg, directed Bösch, conducted Kirill Petrenko, Munich, 2016. Barry Millington.

Die Meistersinger von Nürnberg, directed Friedrich, conducted Runnicles, Deutsche Oper Berlin, 2010. Mark Berry.

Die Meistersinger von Nürnberg, directed Herheim, conducted Gatti, Salzburg, 2013. Mark Berry.

Die Meistersinger von Nürnberg, directed Herzog, conducted Thielemann, Dresden, 2020. Matthew Rye. 

Die Meistersinger von Nürnberg, directed Higgins, conducted Woodward, Greenwood Theatre, London, 2019. Richard Laing.

Die Meistersinger von Nürnberg, directed Holten, conducted Pappano, Royal Opera House, London, 2017. Barry Millington.

Die Meistersinger von Nürnberg, directed Jakubaschk, conducted Bäumer, Mainz, 2015. Matthew Rye.

Die Meistersinger von Nürnberg, directed Jones, conducted Koenigs, Cardiff, 2010. Barry Millington.

The Mastersingers of Nuremberg, directed Jones, conducted Gardner, English National Opera, London, 2015. Mark Berry.

Die Meistersinger von Nürnberg, directed Kosky, conducted Jordan, Bayreuth, 2017. Barry Millington. 

Die Meistersinger von Nürnberg, directed Kosky, conducted Jordan, Bayreuth, 2018. Barry Millington.

Die Meistersinger von Nürnberg, directed Kupfer, conducted Barenboim, Berlin Staatsoper, 2008. Mark Berry.

Die Meistersinger von Nürnberg, directed Kupfer, conducted Gatti, Zurich, 2012. Jerry Floyd.

Die Meistersinger von Nürnberg, directed Lowery, conducted Soddy, Mannheim, 2018. Matthew Rye.

Die Meistersinger von Nürnberg, directed McVicar, conducted Jurowski, Glyndebourne, 2011. Roland Matthews. 

Die Meistersinger von Nürnberg, directed Moses, conducted Barenboim, Berlin Staatsoper, 2019. Mark Berry. 

Die Meistersinger von Nürnberg, directed Mottl, conducted Lange, Wiesbaden, 2018. Matthew Rye.

Die Meistersinger von Nürnberg, directed Schenk, conducted Pappano, New York Met, 2021. Edward A. and Paula M. Bortnichak.

Die Meistersinger von Nürnberg, directed Vick, conducted Pappano, Royal Opera House, London, 2011. Tash Siddiqui.

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2007. Barry Millington. 

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2008. Barry Millington.

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2009. Paula M. and Edward A. Bortnichak.

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2010. Barry Millington.

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2011. Barry Millington. 

Die Meistersinger von Nürnberg, directed Warner, conducted Jordan, Vienna, 2022. Katherine Syer.

Die Meistersinger von Nürnberg, directed Wieler, Viebrock and Marabito, conducted Stenz, Deutsche Oper Berlin, 2022. Michael Fuller.

Die Meistersinger von Nürnberg (piano reduction, excerpts), Siegfried Idyll, conducted Thielemann, Haus Wahnfried, Bayreuth, 2020. Hermann Grampp. 

Parsifal, directed Audi, conducted Albrecht, Amsterdam, 2016. Michael Fuller.

Parsifal, directed Audi, conducted Kirill Petrenko, Munich, 2018. Matthew Rye.

Parsifal, directed Caird, conducted Davis, Chicago, 2013. Katherine Syer.

Parsifal, directed Castellucci, conducted Haenchen, Brussels, 2011. Hugo Shirley.

Parsifal, directed Dietze, conducted Merkel, Koblenz, 2022. Matthew Rye.

Parsifal, directed Freyer, conducted Nagano, Hamburg, 2017. Matthew Rye.

Parsifal, directed Girard, conducted Fisch, New York Met, 2013. Barry Millington.

Parsifal, directed Grüber, conducted Haitink, Royal Opera House, London, 2007. Barry Millington. 

Parsifal, directed Gürbaca, conducted Meister, Antwerp, 2018 (via OperaVision). Michael Fuller. 

Parsifal, directed Guth, conducted Boder, Barcelona, 2011. Jerry Floyd.

Parsifal, directed Herheim, conducted Gatti, Bayreuth, 2008. Barry Millington. 

Parsifal, directed Herheim, conducted Gatti, Bayreuth, 2009. Paula M. and Edward A. Bortnichak.

Parsifal, directed Herheim, conducted Gatti, Bayreuth, 2011. Barry Millington.

Parsifal, directed Herheim, conducted Jordan, Bayreuth, 2012. Tash Siddiqui.

Parsifal, directed Hermanis, conducted Bychkov, Vienna, 2018. Michael Fuller.

Parsifal, directed Jones, conducted Jordan, Opéra Bastille, Paris, 2018. Michael Fuller.

Parsifal, directed Kupfer, conducted Taijiro, Tokyo, 2014. Paul du Quenoy.

Parsifal, directed Langridge, conducted Pappano, Royal Opera House, London, 2013. Tash Siddiqui.

Parsifal, directed Laufenberg, conducted Haenchen, Bayreuth, 2016. Barry Millington. 

Parsifal, directed Laufenberg, conducted Haenchen, Bayreuth, 2017. Barry Millington.

Parsifal, directed Lehnhoff, conducted Wigglesworth, English National Opera, London, 2011. Patrick Carnegy.

Parsifal, directed Miyamoto, conducted Letonja, Strasbourg 2020. Matthew Rye.

Parsifal, directed Pilavachi, conducted Brogli-Sacher, Lübeck, 2013. Matthew Rye.

Parsifal, directed Reinhardt, conducted Kamioka, Wuppertal, 2015. Matthew Rye.

Parsifal, directed Scheib, conducted Heras-Casado, Bayreuth, 2023. Barry Millington.

Parsifal, directed Schlingensief, conducted Fischer, Bayreuth, 2007. Paula M. and Edward A. Bortnichak.

Parsifal, directed Schloemer, conducted Soltesz, Essen, 2013. Matthew Rye.

Parsifal, directed Schüler, conducted Soddy, Mannheim, 2018. Matthew Rye. 

Parsifal, directed Serebrennikov, conducted Jordan, Vienna, 2021 (via Arte Concert). Michael Fuller. 

Parsifal, directed Stölzl, conducted Kober, Deutsche Oper Berlin, 2014. Mark Berry.

Parsifal, directed Stölzl, conducted Runnicles, Deutsche Oper Berlin, 2019. Michael Fuller.

Parsifal, directed Tcherniakov, conducted Barenboim, Berlin Staatsoper, 2015. Mark Berry.

Parsifal, directed Thalheimer, conducted Nott, Geneva, 2023. Michael Fuller.

Parsifal, directed Warner, conducted Haenchen, Copenhagen, 2012. Barry Millington, Hartmut Haenchen, Andreas Bücker.

Parsifal, directed Warner, conducted Brown, Karlsruhe, 2015. Barry Millington.

Parsifal (concert perf.), directed Brown, conducted Farnes, Royal Festival Hall, London, 2022. Roland Matthews.

Parsifal (concert perf.), conducted Hengelbrock, Madrid, 2013. Peter Quantrill.

Parsifal (concert perf.), conducted Nelsons, Birmingham, 2015. Arnold Whittall.

Das Rheingold, directed Arvelo, conducted Dudamel, Los Angeles, 2024. Katherine Syer.

Das Rheingold, directed Burbach, conducted Selwyn, Arcola Theatre, London, 2019. Richard Laing. 

Das Rheingold, directed Cassiers, conducted Barenboim, Milan, 2010. Katherine Syer.

Das Rheingold, directed Freyer, conducted Conlon, Los Angeles, 2009. Katherine Syer, Simon Williams.

Das Rheingold, directed Herheim, conducted Runnicles, Deutsche Oper Berlin, 2021. Hermann Grampp.

Das Rheingold, directed Hermann, conducted Brown, Karlsruhe, 2016. Matthew Rye. 

Das Rheingold, directed Hilsdorf, conducted Kober, Düsseldorf, 2017. Matthew Rye. 

The Rhinegold, directed Jones, conducted Brabbins, English National Opera, London, 2023. Roland Matthews.

Das Rheingold, directed Kosky, conducted Pappano, Royal Opera House, London, 2023. Richard Laing.

Das Rheingold, directed Krämer, conducted Jordan, Opéra Bastille, Paris, 2010. Mark Berry.

Das Rheingold, directed Lane, conducted Negus, Longborough, 2019. Kate Hopkins, Christopher Wintle, Barry Millington.

Das Rheingold, directed Lepage, conducted Levine, New York Met, 2010. Wayne Gooding.

Das Rheingold, directed Marciniak, conducted Carter, Bern, 2022. Chris Walton.

Das Rheingold (reduced orchestration by Jonathan Dove), directed Moss, conducted Runnicles, car park of the Deutsche Oper Berlin, 2020. Hermann Grampp. 

Das Rheingold, directed Münstermann, conducted Huber, Pforzheim, 2018. Matthew Rye. 

Das Rheingold, directed Nemirova, conducted Weigle, Frankfurt, 2010. Katherine Syer.

Das Rheingold, directed Simons, conducted Currentzis, Bochum, 2015. Matthew Rye.

Das Rheingold, directed Trompert, conducted Vernon, Victoria, British Columbia, 2014. Wayne Gooding.

Das Rheingold, directed von Peter and Cianfarini, conducted Nott, Basel, 2023. Michael Fuller.

Rienzi, directed Joel, conducted Foremny, Leipzig, 2022. Michael Fuller.

Rienzi, directed Oldag, conducted Kütson, Krefeld, 2013. Matthew Rye.  

Rienzi, directed Reitmeier, conducted Beikircher, Innsbruck, 2018. Matthew Rye.

Rienzi, directed Stölzl, conducted Rogister, Deutsche Oper Berlin, 2016. Michael Fuller.

Rienzi, directed Stölzl, conducted Rogister, Deutsche Oper Berlin, 2019. Mark Berry.

Der Ring des Nibelungen, directed Armfield, conducted Inkinen, Melbourne, 2013. Michael Ewans.

Der Ring des Nibelungen, directed Armfield, conducted Inkinen, Melbourne, 2016. Barry Millington.

Der Ring des Nibelungen, directed Bechtolf, conducted Rattle, Vienna, 2015. Barry Millington.

Der Ring des Nibelungen, directed Castorf, conducted Kirill Petrenko, Bayreuth, 2013. Barry Millington. 

Der Ring des Nibelungen, directed Castorf, conducted Kirill Petrenko, Bayreuth, 2014. Mark Berry, Tash Siddiqui, Peter Bloom.

Der Ring des Nibelungen, directed Castorf, conducted Kirill Petrenko, Bayreuth, 2015. Barry Millington.

Der Ring des Nibelungen, directed Chen Shi-Zheng, conducted Auguin, Opera Australia, Queensland Performing Arts Centre, Brisbane, 2023. David Ames.

Der Ring des Nibelungen, directed Dew, conducted Meister, Darmstadt, 2013. Matthew Rye.

Der Ring des Nibelungen, directed Dorst, conducted Thielemann, Bayreuth, 2007. Barry Millington.

Der Ring des Nibelungen, directed Friedrich, conducted Runnicles, Deutsche Oper Berlin, 2007. Barry Emslie.

Der Ring des Nibelungen, directed La Fura dels Baus and Padrissa, conducted Mehta, Valencia, 2009. Wayne Gooding.

Der Ring des Nibelungen, directed Herheim, conducted Runnicles, Deutsche Oper Berlin, 2021. Hermann Grampp.

Der Ring des Nibelungen, directed Holm, conducted Bühl, Stockholm, 2008. Katherine Syer.

Der Ring des Nibelungen, directed Kram and Chaundy, conducted Negus, Ulumburra Theatre, Bendigo, Victoria, 2023. David Ames.

Der Ring des Nibelungen, directed Kriegenburg, conducted Nagano, Munich, 2012. Tash Siddiqui.

Der Ring des Nibelungen, directed Lepage, conducted Luisi, New York Met, 2012. Wayne Gooding.

Der Ring des Nibelungen, directed Levine, Egoyan, Girard, Albery, conducted Bradshaw, Toronto, 2006. Barry Millington.

Der Ring des Nibelungen, directed Levine, Egoyan, Girard, Albery, conducted Bradshaw, Toronto, 2006. Katherine R. Syer.

Der Ring des Nibelungen, directed Privett, conducted Negus, Longborough, 2013. Roger Allen.

Der Ring des Nibelungen, directed Schwarz, conducted Meister, Bayreuth, 2022. Barry Millington. 

Der Ring des Nibelungen, directed Schwarz, conducted Inkinen, Bayreuth, 2023. Edward A. and Paula M. Bortnichak.

Der Ring des Nibelungen, directed Tcherniakov, conducted Thielemann, Berlin Staatsoper, 2022. Hermann Grampp.

Der Ring des Nibelungen, directed Tsiriouk, Gergiev, Tsypin, conducted Gergiev, Kirov Opera in Cardiff, 2006. Barry Millington.

Der Ring des Nibelungen, directed Warner, conducted Pappano, Royal Opera House, London, 2007. Dominic McHugh.

Der Ring des Nibelungen, directed Warner, conducted Pappano, Royal Opera House, London, 2012. David Trippett. 

Der Ring des Nibelungen, directed Warner, conducted Pappano, Royal Opera House, London, 2018. Barry Millington, Tash Siddiqui.

Der Ring des Nibelungen, directed Zambello, conducted Runnicles, San Francisco, 2011. Simon Williams.

Der Ring des Nibelungen, directed Zambello, conducted Auguin, Washington DC, 2016. Paul du Quenoy.

Der Ring des Nibelungen (live radio perf.), conducted Jordan, Opéra Bastille, Paris, 2020. Michael Fuller.  

Siegfried, directed Arnarsson, conducted Brown, Karlsruhe, 2017. Matthew Rye.

Siegfried, directed Braunschweig, conducted Rattle, Aix-en-Provence, 2008. Mark Berry.

Siegfried directed Cassiers, conducted Barenboim, Schillertheater, 2013. Mark Berry.

Siegfried, directed Freyer, conducted Conlon, Los Angeles, 2009. Simon Williams.

Siegfried, directed Lane, conducted Negus, Longborough, 2022. Barry Millington.

Siegfried, directed Lepage, conducted Luisi, New York Met, 2011. Wayne Gooding.

Siegfried, directed Krämer, conducted Jordan, Opéra Bastille, Paris, 2011. Mark Berry.

Siegfried, directed Neidhardt, conducted Vestmann, Oldenburg, 2018. Matthew Rye. 

Siegfried, directed Staunton, conducted Woodward, Regents Opera, 2024. Christopher Morley.

Siegfried (concert perf.), conducted Jurowski, Royal Festival Hall, London, 2020. Niall Hoskin.

Tannhäuser, directed Albery, conducted Bychkov, Royal Opera House, London, 2010. Ian Palmer.

Tannhäuser, directed Albery, conducted Weigle, Royal Opera House, London, 2023. Michael Fuller.

Tannhäuser, directed Baumgarten, conducted Hengelbrock, Bayreuth, 2011. Barry Millington. 

Tannhäuser, directed Baumgarten, conducted Thielemann, Bayreuth, 2012. Tash Siddiqui. 

Tannhäuser, directed Bieito, conducted Dmitri Jurowski, Antwerp, 2015. Matthew Rye.

Tannhäuser, directed Calis, conducted Hahn, Wuppertal, 2022. Matthew Rye.

Tannhäuser, directed Carsen, conducted Elder, Opéra Bastille, Paris, 2011. Mark Berry.

Tannhäuser, directed Castellucci, conducted Kirill Petrenko, Munich, 2017. Michael Fuller.

Tannhäuser, directed Castellucci, conducted Nelsons, Salzburg, 2023. Richard Laing.

Tannhäuser, directed Corradi, conducted Abdullah, Aachen, 2016. Matthew Rye.

Tannhäuser, directed Harms, conducted Schirmer, Deutsche Oper Berlin, 2010. Mark Berry. 

Tannhäuser, directed Herheim, conducted Badea, Oslo, 2010. Erling E. Guldbrandsen.

Tannhäuser, directed Konwitschny, conducted Wellber, Dresden, 2019. Michael Fuller.

Tannhäuser, directed Kratzer, conducted Gergiev, Bayreuth, 2019. Barry Millington.

Tannhäuser, directed Kupfer, conducted Albrecht, Zurich, 2013. Michael Fuller.

Tannhäuser, directed Loy, conducted Albrecht, Amsterdam, 2019. Michael Fuller.

Tannhäuser, directed Mundruczó, conducted Nagano, Hamburg, 2022. Matthew Rye.

Tannhäuser, directed Slater, conducted Pähn, Tallinn, 2015. Paula M. and Edward A. Bortnichak.

Tannhäuser, directed Solfaghari, conducted Stenz, Cologne, 2008. Barry Millington. 

Tannhäuser, directed Waltz, conducted Barenboim, Schillertheater, Berlin, 2012. Mark Berry. 

Tristan und Isolde, directed Christopher Alden, conducted Brown, Karlsruhe, 2016. Matthew Rye. 

Tristan und Isolde, directed Anderson, conducted Kout, Copenhagen, 2009. Nila Parly.

Tristan und Isolde, directed Audi, conducted Albrecht, Amsterdam, 2018. Michael Fuller.

Tristan und Isolde, directed Dooner (after Lehnhoff), conducted Ticciati, Glyndebourne, 2021. Barry Millington.

Tristan und Isolde, directed Edwards, conducted Barlow, Grange Park, 2023. Barry Milllington.

Tristan und Isolde, directed Emge, conducted Fletzberger, Mikulov, Czech Republic, 2020 (online). Michael Fuller. 

Tristan und Isolde, directed Fielding, conducted Barlow, Grange Park, 2011. Roland Matthews.

Tristan und Isolde, directed Guth, conducted Haitink, Zurich, 2010. Mark Berry.

Tristan und Isolde, directed Jakobi, conducted Negus, Longborough, 2015. Barry Millington.

Tristan und Isolde, directed Kautz, conducted Soddy, Mannheim, 2021. Matthew Rye.

Tristan und Isolde, directed Kazaras, conducted Fisch, Seattle, 2010. Andrew Moravcsik.

Tristan und Isolde, directed Kosky, conducted Beermann, Essen, 2017. Matthew Rye.

Tristan und Isolde, directed Kramer, conducted Gardner, English National Opera, London, 2016. Tash Siddiqui.

Tristan und Isolde (reduced orchestration by Osamu Sasaki), directed Langridge, conducted Trinks, Hannover, 2020. Hermann Grampp.

Tristan und Isolde, directed Loy, conducted Pappano, Royal Opera House, London, 2009. Christopher Wintle.

Tristan und Isolde, directed Loy, conducted Pappano, Royal Opera House, London, 2014. Barry Millington.

Tristan und Isolde, directed Lübbe, conducted Schirmer, Leipzig, 2019. Mark Berry.

Tristan und Isolde, directed Marelli, conducted Thielemann, Dresden, 2024. Michael Fuller.

Tristan und Isolde, directed Marthaler, conducted Schneider, Bayreuth, 2009. Paula M. and Edward A. Bortnichak.  

Tristan und Isolde, directed Marthaler, conducted Schneider, Bayreuth, 2011. Barry Millington.

Tristan und Isolde, directed Marthaler, conducted Schneider, Bayreuth, 2012. Tash Siddiqui. 

Tristan und Isolde, directed Müller, conducted Trinks, Kassel, 2018. Matthew Rye.

Tristan und Isolde, directed Pilavichi, conducted Brogli-Sache, Lübeck, 2014. Matthew Rye.

Tristan und Isolde, directed Pleger, conducted Altinoglu, Brussels, 2019 (via OperaVision). Michael Fuller. 

Tristan und Isolde, directed Poda, conducted Mehta, Florence, 2014. Michael Fuller.

Tristan und Isolde, directed Schulz, conducted Baumann, Gelsenkirchen, 2017. Matthew Rye.

Tristan und Isolde, directed Schwab, conducted Poschner, Bayreuth, 2022. Barry Millington. 

Tristan und Isolde, directed Sellars, conducted Bychkov, Opéra Bastille, Paris, 2008. Mark Berry.

Tristan und Isolde, directed Stone, conducted Rattle, Aix-en-Provence, 2021. Diane V. Silverthorne.  

Tristan und Isolde, directed Tcherniakov, conducted Barenboim, Berlin Staatsoper, 2018. Mark Berry.

Tristan und Isolde, directed Thoma, conducted Weigle, Frankfurt, 2020. Matthew Rye. 

Tristan und Isolde, directed Treliński, conducted Rattle, Baden-Baden, 2016. Simon Morgan.

Tristan und Isolde, directed Treliński, conducted Rattle, New York Met, 2016. Paula M. and Edward A. Bortnichak.

Tristan und Isolde, directed Vick, conducted Runnicles, Deutsche Oper Berlin, 2016. Michael Fuller.

Tristan und Isolde, directed Katharina Wagner, conducted Thielemann, Bayreuth, 2015. Barry Millington. 

Tristan und Isolde, directed Katharina Wagner, conducted Thielemann, Bayreuth, 2016. Barry Millington.

Tristan und Isolde, directed Warlikowski, conducted Kirill Petrenko, Munich, 2020 (streamed). Barry Millington. 

Tristan und Isolde, directed Winokur and Castañón, conducted Gaffigan, Santa Fe, 2022. Simon Williams.

Die Walküre, directed Cassiers, conducted Barenboim, Schillertheater, Berlin, 2011. Mark Berry.

Die Walküre, directed Chaundy, conducted Negus, Melbourne, 2022. David Ames.

Die Walküre, directed Dietz, conducted Angelico, Kassel, 2019. Matthew Rye.

Die Walküre, directed Freyer, conducted Conlon, Los Angeles, 2009. Katherine Syer, Simon Williams.  

Die Walküre, directed Herheim, conducted Runnicles, Deutsche Oper Berlin, 2020. Hermann Grampp. 

The Valkyrie, directed Jones, conducted Brabbins and Negus, English National Opera, London, 2021. Roland Matthews.

Die Walküre, directed Krämer, conducted Jordan, Opéra Bastille, Paris, 2010. Mark Berry.

Die Walküre, directed Lane, conducted Negus, Longborough, 2021. Barry Millington.

Die Walküre, directed Lepage, conducted Levine, New York Met, 2011. Wayne Gooding.

Die Walküre, directed Müller-Elmau, conducted Carter, Coburg, 2022. Matthew Rye.

Die Walküre, directed Peters-Messer, conducted Ishii, Magdeburg 2018. Matthew Rye.

Die Walküre, directed Sharon, conducted Brown, Karlsruhe, 2016. Matthew Rye. 

Die Walküre, directed Staunton, conducted Woodward, Regents Opera, 2023. Richard Laing. 

Die Walküre, directed von Peter and Cianfarini, conducted Nott, Basel, 2023. Michael Fuller.

Die Walküre (concert perf.), directed Podesta, conducted Chan Tze Law, Singapore, 2020. Matthew Schmidt.

Die Walküre (concert perf.), conducted Selwyn, London Opera Company, St John’s Smith Square, 2023. Alice McVeigh.

Die Walküre, Act I (concert perf.), conducted Fisch, Munich, 2021 (streamed). Michael Fuller.

Wesendonck Lieder (orch. Henze), conducted Lowe, Glasgow, 2021 (streamed). Michael Fuller.

Wesendonck Lieder (orch. Mottl), Bruckner Symphony No. 4, conducted Kennedy, St John’s Smith Square, London, 2021. Richard Laing.

The New York Met’s autumn ‘Wagner Week’ of streamed performances, 2020. Matthew Rye.

The Rinse Cycle, directed Binstock, conducted Lim, Charing Cross Theatre, London, 2016. Tash Siddiqui.

Tragedy of a Friendship (music by Richard Wagner and Moritz Eggert), directed Fabre, Lille, 2013. Graeme Feggetter.

The View from the Villa, The Brunton Theatre, Musselburgh, 2021. Michael Fuller.

Wahnfried (music by Avner Dorman, libretto by Lutz Hübner and Sarah Nemitz), directed Warner, conducted Brown, Karlsruhe, 2017. Barry Millington.

 

Reviews (CDs)

Wagner’s Vision: Bayreuth Heritage (Documents/The Intense Media). David Breckbill.

Der fliegende Holländer, Tannhäuser, Lohengrin, Tristan und Isolde, Die Meistersinger von Nürnberg, Das Rheingold, Die Walküre, Siegfried, Götterdämmerung, Parsifal, conducted Barenboim, 1989–2001 (Teldec). Jerry Floyd. 

Der fliegende Holländer, Tannhäuser, Lohengrin, Tristan und Isolde, Die Meistersinger von Nürnberg, Das Rheingold, Die Walküre, Siegfried, Götterdämmerung, Parsifal, conducted Janowski, Berlin, 2010–13 (PentaTone). David Breckbill.

Der fliegende Holländer, conducted Janowski, Berlin, 2010 (PentaTone). Matthew Rye.

Der fliegende Holländer, conducted Keilberth, Bayreuth, 1955 (Testament). David Breckbill.

Der fliegende Holländer, conducted Keilberth, Bayreuth, 1956 (Walhall). David Breckbill.

Der fliegende Holländer, conducted Klemperer, Royal Festival Hall, London, 1968 (Testament). David Breckbill. 

Der fliegende Holländer, conducted Nelsons, Amsterdam, 2013 (RCO Live). Matthew Rye.

Der fliegende Holländer, conducted Sawallisch, Bayreuth, 1960 (Andromeda). Richard Laing.

Der fliegende Holländer, conducted Schippers, New York Met, 1960 (Walhall). David Breckbill.

Der fliegende Holländer and Dietsch, Le Vaisseau fantôme, conducted Minkowski, Grenoble (Naïve). Mike Ashman.

Götterdämmerung, conducted Elder, Manchester, 2009 (Hallé). David Breckbill.

Götterdämmerung, conducted Fisch, Adelaide, 2004 (Melba). David Breckbill.

Götterdämmerung, conducted Fjeldstad, Oslo, 1955 and Tristan und Isolde, Act I, conducted Rankl, Royal Opera House, London, 1950 (Walhall). David Breckbill.

Götterdämmerung, conducted Keilberth, Bayreuth, 1955 (Testament). David Breckbill.

Götterdämmerung, conducted van Zweden, Hong Kong, 2018 (Naxos). Niall Hoskin.

Götterdämmerung, Act III, conducted Solti, London, 1963 (Testament). David Breckbill.

Lohengrin, conducted Böhm, Vienna, 1965 (Orfeo). David Breckbill.

Lohengrin, conducted Bychkov, Cologne, 2008 (Hänssler Profil). Roger Allen. 

Lohengrin, conducted Cluytens, Bayreuth, 1958 (Walhall). David Breckbill. 

Lohengrin, conducted Elder, Amsterdam, 2015 (RCO). Arnold Whittall.

Lohengrin, conducted Janowski, Berlin, 2011 (PentaTone). Matthew Rye. 

Lohengrin, conducted Knappertsbusch, Munich, 1963 (Orfeo). David Breckbill.

Lohengrin, conducted Matačić, Bayreuth, 1959 (Orfeo). David Breckbill.

Lohengrin, conducted Sawallisch, Milan, 1965, with other excerpts (Living Stage). Mike Ashman.

Lohengrin, conducted Schippers, New York Met, 1959 (Walhall). David Breckbill.

Die Meistersinger von Nürnberg, conducted Böhm, Bayreuth, 1968 (Orfeo). David Breckbill.

Die Meistersinger von Nürnberg, conducted Cluytens, Bayreuth, 1956 (Walhall). David Breckbill. 

The Mastersingers of Nuremberg, conducted Goodall, Sadler’s Wells Theatre, London, 1968 (Chandos). Arnold Whittall.

Die Meistersinger von Nürnberg, conducted Haitink, Royal Opera House, London, 1997 (Royal Opera House Heritage Series). Arnold Whittall. 

Die Meistersinger von Nürnberg, conducted Janowski, Berlin, 2011 (PentaTone). David Breckbill.

Die Meistersinger von Nürnberg, conducted Knappertsbusch, Vienna, 1950–51 (Decca Eloquence). Arnold Whittall. 

Die Meistersinger von Nürnberg, conducted Schippers, New York Met, 1972 (Sony Classical). David Breckbill.

Die Meistersinger von Nürnberg, Act III, conducted Böhm, Dresden, 1938 (Hänssler). Simon Trezise. 

Parsifal, conducted Elder, Royal Albert Hall, London, 2013 (Hallé). Niall Hoskin.

Parsifal, conducted Gergiev, St Petersburg, 2009 (Mariinsky). David Breckbill.

Parsifal, conducted Goodall, Royal Opera House, London, 1971 (Royal Opera House Heritage Series). David Breckbill.

Parsifal, conducted Janowski, Berlin 2011 (PentaTone). David Breckbill.

Parsifal, conducted Jordan, Vienna, 2021 (Sony). Arnold Whittall. 

Parsifal, conducted Kempe, Royal Opera House, London, 1959 (Testament). David Breckbill.

Parsifal, conducted Knappertsbusch, Bayreuth, 1956 (Walhall). David Breckbill. 

Parsifal, conducted Knappertsbusch, Bayreuth, 1958 (Walhall). David Breckbill.

Parsifal, conducted Knappertsbusch, Bayreuth, 1964 (Orfeo). David Breckbill.

Parsifal, conducted Leitner, Opéra Garnier, Paris, 1954 (Profil). Paul du Quenoy.

Parsifal, conducted Ötvös, Venice, 2005 (Dynamic). Arnold Whittall.

Parsifal, conducted Sawallisch, Rome, 1970 (Myto). Arnold Whittall.

Parsifal, conducted Thielemann, Vienna, 2005 (Deutsche Grammophon). Arnold Whittall. 

Parsifal, conducted van Zweden, Amsterdam, 2010 (Challenge Classics). David Breckbill.

Das Rheingold, conducted Elder, Manchester, 2016 (Hallé). Niall Hoskin.

Das Rheingold, conducted Fisch, Adelaide, 2004 (Melba). Simon Trezise.

Das Rheingold, conducted Gergiev, St Petersburg, 2010 and 2012 (Mariinsky). David Breckbill.

Das Rheingold, conducted Rattle, Munich, 2015 (BR-Klassik). Niall Hoskin. 

Das Rheingold, conducted van Zweden, Hong Kong, 2015 (Naxos). Niall Hoskin.

Der Ring des Nibelungen, conducted Fisch, Seattle, 2013 (Avie). David Breckbill.

Der Ring des Nibelungen, conducted Haenchen, Amsterdam, 2004–5 (Etcetera). Arnold Whittall.

Der Ring des Nibelungen, conducted Haitink, Munich, 1988–91, reissued 2006 (EMI). Simon Trezise.

Der Ring des Nibelungen, conducted Janowski, Dresden, 1981–2 (RCA). David Breckbill.

Der Ring des Nibelungen, conducted Karajan, Berlin, 1966–9 (Deutsche Grammophon). Arnold Whittall.

Der Ring des Nibelungen, conducted Keilberth, Bayreuth, 1955 (Testament). David Breckbill.

Der Ring des Nibelungen, conducted Kempe, Royal Opera House, London, 1957 (Testament). David Breckbill.

Der Ring des Nibelungen, conducted Knappertsbusch, Bayreuth, 1956 (Orfeo). David Breckbill.

Der Ring des Nibelungen, conducted Knappertsbusch, Bayreuth, 1958 (Walhall). David Breckbill. 

Der Ring des Nibelungen, conducted Franz Konwitschny, Royal Opera House, London, 1959 (Walhall). David Breckbill. 

Der Ring des Nibelungen, conducted Krauss, Bayreuth, 1953 (Orfeo). David Breckbill.

Der Ring des Nibelungen, conducted Leinsdorf, New York Met, 1962 (Walhall). David Breckbill.

Der Ring des Nibelungen, conducted Thielemann, Bayreuth, 2008 (Opus Arte). David Breckbill.

Der Ring des Nibelungen, conducted Zagrosek, Stuttgart, 2002–3 (Naxos). Arnold Whittall. 

Der Ring des Nibelungen, highlights, conducted Fisch, Adelaide, 2004 (Melba). Matthew Rye. 

Siegfried, conducted Ehrling, Stockholm, 1987 (Sterling). Simon Trezise.

Siegfried, conducted Elder, Manchester, 2018 (Hallé). Niall Hoskin.

Siegfried, conducted Fisch, Adelaide, 2004 (Melba). David Breckbill.

Siegfried, conducted Janowski, Dresden, 1982 (Sony Classical). Arnold Whittall.

Siegfried, conducted Rattle, Munich, 2023 (BR-Klassik). Dexter Drown.

Siegfried, conducted van Zweden, Hong Kong, 2017 (Naxos). Niall Hoskin. 

Siegfried, Act III (abridged), conducted Inkinen, Saarbrücken (SWR Music). Niall Hoskin.

Tannhäuser, conducted Sawallisch, Bayreuth, 1961 (Orfeo). Peter Quantrill. 

Tristan und Isolde, conducted Böhm, New York Met, 1960 (Walhall). David Breckbill.

Tristan und Isolde, conducted Fisch, Perth, 2018 (ABC Classics). John Warner.

Tristan und Isolde, conducted Janowski, Berlin, 2012 (PentaTone). David Breckbill.

Tristan und Isolde, conducted Stiedry, New York Met, 1958 (Walhall). David Breckbill. 

Tristan und Isolde, Act II, conducted Barbirolli, London, 1954 (Barbirolli Society). John Warner.

Tristan und Isolde: paraphrase for string septet by Martina Trumpp, Stuttgart, 2022 (Coviello Classics). Christopher Morley.

Die Walküre, conducted Cristofoli, Aarhus, 1987 (Sterling). Dexter Drown.

Die Walküre, conducted Elder, Manchester, 2011 (Hallé). Matthew Rye.

Die Walküre, conducted Fisch, Adelaide, 2004 (Melba). Simon Trezise.

Die Walküre, conducted Furtwängler, Vienna, 1954 (Naxos). Roger Allen.

Die Walküre, conducted Janowski, Dresden, 1981 (Sony Classical). Arnold Whittall.

Die Walküre, conducted Keilberth, Barcelona, 1955 (Walhall). David Breckbill.

Die Walküre and Tannhäuser excerpts (Venusberg Bacchanal, Wolfram’s ballad and duet), conducted Keilberth, Bayreuth, 1955 (Testament). David Breckbill.

Die Walküre, conducted Klobucar, New York Met, 1968 (Sony Classical). David Breckbill. 

Die Walküre, conducted Rattle, Munich, 2019 (BR-Klassik). Matthew Rye.

Die Walküre, conducted Solti, Royal Opera House, London, 1961 (Testament). David Breckbill.

Die Walküre, conducted van Zweden, Hong Kong, 2016 (Naxos). Niall Hoskin. 

Die Walküre, Act I, conducted Tennstedt, Royal Festival Hall, London, 1991 (LPO). Niall Hoskin. 

Die Walküre, Act I, Act II Scenes 3 and 5, conducted Walter, Vienna, 1935 (EMI). Simon Trezise.

Wesendonck Lieder and songs by Strauss, Prokofiev, Britten, Quilter and Rorem, soprano Susan Bullock, piano Malcolm Martineau, Crear, Argyll, Scotland, 2006 (Crear Classics). Malcolm Miller.

Excerpts, conducted Elder, Manchester, 2007 (Hallé). Dominic McHugh.

Excerpts, conducted Knappertsbusch, Vienna, 1950–53 (Preiser). Simon Trezise.

Excerpts, conducted Monteux, Scheveningen, 1963 (Testament). David Breckbill.

Excerpts and Stokowski, Symphonic Synthesis of Parsifal, conducted Stokowski, 1926–40 (Andromeda). Simon Trezise.

Excerpts, arranged Woodward, conducted Woodward, 2022 (Toccata Classics). Matthew Rye.

Overtures, Siegfried Idyll, conducted Märkl, Leipzig, 2017 (Naxos). John Warner.

Siegfried’s Rhine Journey, Siegfried’s Funeral March and Immolation Scene, Mozart Symphony No. 40 in G minor, K. 550, conducted Barbirolli, Manchester, 1964 (Testament). David Breckbill.

Symphony in C major, Symphony in E major (orch. Mottl), Huldigungsmarsch, Overture to Rienzi, Kaisermarsch, conducted Järvi (Chandos). Matthew Rye.

Symphony in C major, Symphony in E major (fragment), conducted Märkl, Leipzig, 2017 (Naxos). Niall Hoskin.

Wagner and Liszt, piano Cooper (Chandos). Malcolm Miller.

Wagner, transcriptions by Liszt, piano Fisch (Melba). Matthew Rye.

Wagner, piano works and piano songs for Mathilde and Cosima, piano Hoteev, soprano Bulgakova (Hänssler). Malcolm Miller. 

Wagner, transcriptions for piano duo, various, piano Tal and Groethuysen (Sony Classical). Matthew Rye.

Wagner, transcriptions by Stradal, piano Vizcarra (Toccata Classics). Matthew Rye.

Wagner, original piano music and transcriptions, piano Williams (Signum). David Breckbill.

Boten der Liebe, Voyager Quartet, Wahnfried, Bayreuth, 2020 (Solo Musica). Richard Laing.

Bruckner, Symphonies Nos. 0–9 and Wagner, Siegfried Idyll, overtures, preludes and orchestral excerpts, conducted by Nelsons, Leipzig, 2021 (Deutsche Grammophon). Richard Laing.

Fritz Reiner: The Complete Columbia Album Collection, 1940–50 (Sony). Richard Laing.

Gluck, Iphigenia in Aulis (arr. Wagner), conducted Spering (Oehms Classics). Matthew Rye.

Jessye Norman, The Unreleased Masters, 1989–98 (Decca). Richard Laing.

Johan Botha: Wiener Staatsoper Live, 1997–2014 (Orfeo). Niall Hoskin.

King, Richard Wagner in Venice, A Symphony; Wagner, Siegfried Idyll, conducted Leakey, Strathpeffer Pavilion, 2021 (Mahler Players). David Matthews.

Leo Borchard, Telefunken Recordings 1933–1935, includes Wotan’s Farewell, sung by Hans Reinmar (Testament). Niall Hoskin.

Parsifal Suite, constructed by Gourlay, conducted Gourlay, 2022 (Orchid Classics). Matthew Rye.

Rheinmädchen, mezzo-soprano Bernarda Fink, Ensemble Pygmalion, conducted Pichon (Harmonia Mundi). Matthew Rye.

The Ring Without Words: A Symphonic Synthesis by Lorin Maazel, conducted Maazel (EuroArts). David Breckbill.

Vocal recital, tenor Behle, conducted Rösner, Istanbul, 2023 (Prospero). Joe Davies.

Vocal recital, soprano Davidsen, conducted Salonen, London, 2019 (Decca). Mike Ashman.

Vocal recital, soprano Davidsen, conducted Elder, London, 2020 (Decca). Matthew Rye. 

Vocal recital, mezzo-soprano Garanča, conducted Thielemann, 2020–21 (Deutsche Grammophon). Matthew Rye. 

Vocal recital, soprano Gleich, conducted Bollon, 2020 (Stone Records). Niall Hoskin.

Vocal recital, soprano Netrebko, conducted Chailly, 2020–21 (Deutsche Grammophon). Matthew Rye.

Vocal recital, soprano Nylund, conducted Lintu (Ondine). David Breckbill.

Vocal recital, tenor O’Neill, conducted Inkinen, New Zealand, 2010 (EMI). David Breckbill.

Vocal recital, tenor Parly, conducted Maag, Berlin, 1966 (Deutsche Grammophon Eloquence). Niall Hoskin. 

Vocal recital, bass Pape, tenor Domingo, conducted Barenboim, Berlin, 2011 (Deutsche Grammophon). David Breckbill. 

Vocal recital, bass-baritone Rutherford, conducted Litton, Bergen, 2014 (BIS). Roland Matthews.

Vocal recital, bass-baritone Uusitalo, conducted Segerstam, Helsinki, 2007 (Ondine). Barry Millington.

Vocal recital, tenor Vogt, soprano Uhl, conducted Schneider, 2012 (Sony Classical). Matthew Rye.

  

Reviews (DVDs)

The Bayreuth Edition (Opus Arte). Matthew Rye.

The Wagner Edition (Opus Arte). Matthew Rye.

Der fliegende Holländer, directed Curran, conducted Luisi, Florence, 2019 (C major). Richard Laing.

Der fliegende Holländer, directed Kartaloff, conducted Gergov, Pancharevo Lake, Bulgaria, 2022 (Dynamic). Richard Laing.

Der fliegende Holländer, directed Kušej, conducted Haenchen, Amsterdam, 2010 (Opus Arte). Mark Berry.

Der fliegende Holländer, directed Py, conducted Minkowski, Theater an der Wien, 2015 (Naxos). Richard Laing.

Der fliegende Holländer (film based on the opera), directed Herz, conducted Reuter, Leipzig, 1964 (Progress Film-Verleih and DEFA-Stiftung). Mike Ashman.

Götterdämmerung, directed Schulz, conducted St Clair, Weimar, 2008 (Arthaus). Mark Berry.

Das Liebesverbot, directed Holten, conducted Bolton, Madrid, 2016 (Opus Arte). Roland Matthews.

Lohengrin, directed Neuenfels, conducted Nelsons, Bayreuth, 2011 (Opus Arte). Graeme Feggetter. 

Lohengrin, directed Schilling, conducted Meister, Stuttgart, 2018 (BelAir). Richard Laing.

Lohengrin, directed Weber, conducted Abbado, Vienna, 1990 (Arthaus). Graeme Feggetter. 

Die Meistersinger von Nürnberg, directed Herheim, conducted Gatti, Salzburg, 2013 (Unitel). Barry Millington. 

Die Meistersinger von Nürnberg, directed Kosky, conducted Jordan, Bayreuth, 2017 (Deutsche Grammophon). Barry Emslie.

Die Meistersinger von Nürnberg, directed Lindtberg, conducted Ludwig, Hamburg, 1970 (Arthaus). Nila Parly.

Die Meistersinger von Nürnberg, directed McVicar, conducted Jurowski, Glyndebourne, 2011 (Opus Arte). Roland Matthews. 

Die Meistersinger von Nürnberg, directed Katharina Wagner, conducted Weigle, Bayreuth, 2008 (Opus Arte). Barry Emslie.

Die Meistersinger von Nürnberg, directed Wolfgang Wagner, conducted Barenboim, Bayreuth, 1999 (Unitel). Barry Emslie.

Parsifal, directed Castellucci, conducted Haenchen, Brussels, 2011 (BelAir). Peter Quantrill. 

Parsifal, directed Girard, conducted Gatti, New York Met, 2013 (Sony). Barry Millington.

Parsifal, directed Kupfer, conducted Barenboim, Berlin Staatsoper, 1992 (EuroArts). Barry Emslie.

Parsifal, directed Tcherniakov, conducted Barenboim, Berlin Staatsoper, 2015 (BelAir). Tom DeRose.

Parsifal, directed Wolfgang Wagner, conducted Sinopoli, Bayreuth, 1998 (C major). Peter Quantrill.

Das Rheingold, directed Kartaloff, conducted Baleff, Sofia, 2010 (Dynamic). Matthew Rye.

Das Rheingold, directed Schulz, conducted St Clair, Weimar, 2008 (Arthaus). Mark Berry.

Rienzi, directed Lavelli, conducted Steinberg, Toulouse, 2012 (Opus Arte). Barry Emslie.

Rienzi, directed Stölzl, conducted Lang-Lessing, Deutsche Oper Berlin, 2010 (Unitel in co-operation with ZDF/Arte and Classica). Jan Philipp Sprick.

Der Ring des Nibelungen, directed Audi, conducted Haenchen, Amsterdam, 1999 (Opus Arte). Katherine R. Syer. 

Der Ring des Nibelungen, directed Cassiers, conducted Barenboim, Milan, 2010–13 (Arthaus). Matthew Rye.

Der Ring des Nibelungen, directed Chéreau, conducted Boulez, Bayreuth, 1980 (Deutsche Grammophon). Matthew Rye.

Der Ring des Nibelungen, directed La Fura dels Baus and Padrissa, conducted Mehta, Valencia, 2007–9 (Unitel). Roland Matthews. 

Der Ring des Nibelungen, directed Herheim, conducted Runnicles, Deutsche Oper Berlin, 2021 (Naxos). Matthew Rye. 

Der Ring des Nibelungen, directed Holten, conducted Schønwandt, Copenhagen, 2006 (Decca). Nila Parly.

Der Ring des Nibelungen, directed Kupfer, conducted Barenboim, Bayreuth 1991–2 (Unitel/Warner Classics). Barry Emslie.

Der Ring des Nibelungen, directed Nemirova, conducted Weigle, Frankfurt, 2012 (Oehms Classics). Barry Millington.

Der Ring des Nibelungen, directed Pilavachi, conducted Brogli-Sacher, Lübeck, 2010 (Musicaphon). Matthew Rye.

Der Ring des Nibelungen, directed Schlömer, Nel, Wieler, Morabito, Konwitschny, conducted Zagrosek, Stuttgart, 2002–3 (EuroArts). Arnold Whittall. 

Der Ring des Nibelungen, directed Schlömer, Nel, Wieler, Morabito, Konwitschny, conducted Zagrosek, Stuttgart, 2002–3 (Medici Arts). Barry Emslie. 

Siegfried, directed Schulz, conducted St Clair, Weimar, 2008 (Arthaus). Mark Berry.

Tannhäuser, directed Baumgarten, conducted Kober, Bayreuth, 2014 (Opus Arte). Matthew Rye.

Tannhäuser, directed Carsen, conducted Weigle, Barcelona, 2008 (C major). Barry Emslie.

Tannhäuser, directed Holten, conducted Layer, Copenhagen, 2009 (Decca). Barry Emslie.   

Tannhäuser, directed Waltz, conducted Barenboim, Berlin, 2014 (BelAir). Matthew Rye. 

Tristan und Isolde, directed Johannes Felsenstein, conducted Berg, Dessau, 2007 (Arthaus). Barry Emslie.

Tristan und Isolde, directed Katharina Wagner, conducted Thielemann, Bayreuth, 2015 (Deutsche Grammophon). Matthew Rye.

Tristan und Isolde (concert perf.), conducted Bernstein, Munich, 1981 (C major/Unitel). John Warner.

Die Walküre, directed Braunschweig, conducted Rattle, Aix-en-Provence, 2007 (BelAir). Mark Berry.

Die Walküre, directed Kartaloff, conducted Baleff, Sofia, 2011 (Dynamic). Matthew Rye.

Die Walküre, directed Nemirova, conducted Thielemann, Salzburg, 2017 (C major). Arnold Whittall.

Die Walküre, directed Schulz, conducted St Clair, Weimar, 2008 (Arthaus). Mark Berry.

Die Walküre, directed Wieland Wagner, conducted Schippers, Osaka, 1967 (NHK television broadcast). Mike Ashman.

Die Walküre, directed Warner, conducted Pappano, Royal Opera House, London, 2018 (Opus Arte). Richard Laing.

The Becoming of the Mannheim 'Ring' (Arthaus). Matthew Rye.

Global Wagner: From Bayreuth to the World, directed Brüggemann, 2021 (Kick Film/Naxos). Patrick Carnegy.

The Life and Works of Richard Wagner, directed Froelich, Messter-Film GmbH, 1913, re-released 2011 (Isolde Films). Hilan Warshaw.

Die Nibelungen, directed Lang, Decla-Bioscop, 1924, new HD restoration, 2012 (Eureka! Masters of Cinema). Roland Matthews.

Wagner, directed Tony Palmer, 1983 (Gonzo Multimedia). Tim Blanning.

The Wagner Family: A Film by Tony Palmer, 2011 (Gonzo Multimedia). Tim Blanning, Eva Rieger. 

Wagner’s Jews, directed Hilan Warshaw, 2013 (Overtone Films). Tim Blanning.

Wagner’s Mastersinger – Hitler’s Siegfried: The Life and Times of Max Lorenz, directed Eric Schulz and Claus Wischmann, 2008 (EuroArts). Nicholas Vazsonyi.

The Zurich Affair, directed Neubert, 2023 (Naxos). David Evans.

 

Reviews (books)

Roger Allen, Wilhelm Furtwängler: Art and the Politics of the Unpolitical (The Boydell Press, 2018). Erik Levi.

Tom Artin, The Wagner Complex: Genesis and Meaning of ‘The Ring’ (Free Scholar Press, 2012). Judith Lebiez.

Tom Artin, What Parsifal Saw (Free Scholar Press, 2016). Tom DeRose.

Alain Badiou, Five Lessons on Wagner, tr. Susan Spitzer, with an afterword by Slavoj Žižek (Verso, 2010). John Deathridge.

John W. Barker, Wagner and Venice (University of Rochester Press, 2008). David Conway.

John W. Barker, Wagner and Venice Fictionalized: Variations on a Theme (University of Rochester Press, 2012). Heath Lees.

Oswald Georg Bauer, Die Geschichte der Bayreuther Festspiele, 2 vols (Deutscher Kunstverlag, 2016). Evan Baker.

Richard H. Bell, Theology of Wagner’s ‘Ring’ Cycle I: The Genesis and Development of the Tetralogy and the Appropriation of Sources, Artists, Philosophers, and Theologians; II: Theological and Ethical Issues (Cascade Books (Wipf and Stock), 2020). Jürgen Thym.

Karol Berger, Beyond Reason: Wagner contra Nietzsche (University of California Press, 2017). Arnold Whittall.  

Udo Bermbach, Mythos Wagner (Rowohlt Berlin Verlag, 2013). Hermann Grampp.

Mark Berry, Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner’s ‘Ring’ (Ashgate, 2006). Roger Hollinrake.

Mark Berry, After Wagner: Histories of Modernist Music Drama from ‘Parsifal’ to Nono (The Boydell Press, 2014). Fred Bridgham.

Mark Berry and Nicholas Vazsonyi, eds, The Cambridge Companion to Wagner’s ‘Der Ring des Nibelungen’ (Cambridge University Press, 2020). Kate Hopkins.

Dieter Borchmeyer, Richard Wagner: Werk – Leben – Zeit (Philipp Reclam jun. Verlag, 2013). Hermann Grampp. 

Gunther Braam, Richard Wagner in der zeitgenössischen Fotografie (ConBrio, 2015). Barry Millington.

Richard Bratby, Longborough Festival Opera: The First 30 Years (Longborough Festival Opera, 2023). Niall Hoskin.

Matthew Bribitzer-Stull, Understanding the Leitmotif: From Wagner to Hollywood Film Music (Cambridge University Press, 2015). Arnold Whittall.

Matthew Bribitzer-Stull, Alex Lubet and Gottfried Wagner, eds, Richard Wagner for the New Millennium (Palgrave-Macmillan, 2007). Arnold Whittall.

Jonathan Brown, Great Wagner Conductors: A Listener’s Companion (Parrot Press, 2012). David Breckbill.

Michael Buckley, Dramatic Technique and Meaning in Wagner’s ‘Ring’ (Austin Macauley Publishers, 2020). Kate Hopkins.

Christian Bührle, Markus Kiesel and Joachim Mildner, eds, Prachtgemäuer. Wagner-Orte in Zürich, Luzern, Tribschen und Venedig (ConBrio, 2020). Chris Walton.

Simon Callow, Being Wagner: The Triumph of the Will (William Collins, 2017). Niall Hoskin.

Patrick Carnegy, Wagner and the Art of the Theatre (Yale University Press, 2006). Simon Williams.

Jonathan Carr, The Wagner Clan (Faber and Faber, 2007). Tim Blanning.

Eric Chafe, The Tragic and the Ecstatic: The Musical Revolution of Wagner’s ‘Tristan und Isolde' (Oxford University Press, 2005). Christopher Morris.

Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity (The Boydell Press, 2019). Heath Lees.

Peter Conrad, Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries (Thames & Hudson, 2011). Roderick Swanston.

David Conway, Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner (Cambridge University Press, 2012). Jonas Karlsson.

Paul Dawson-Bowling, The Wagner Experience and its Meaning to Us (Old Street Publishing, 2013). Barry Millington. 

Paul Dawson-Bowling, Wagner: The Complete Experience and its Meaning to Us, 3 vols (de la Porte Publishing, 2022). Barry Millington.

John Deathridge, Wagner Beyond Good and Evil (University of California Press, 2008). Roger Allen.

John Louis DiGaetani, ed. Inside the ‘Ring’: Essays on Wagner's Opera Cycle (McFarland & Company, 2006). David Conway.   

Therese Dolan, Manet, Wagner, and the Musical Culture of Their Time (Ashgate, 2013). Paul du Quenoy.

Laurence Dreyfus, Parsifals Verführung, tr. Wolfgang Schlüter (Faber & Faber, 2022). Jonas Karlsson.

Ulrich Drüner, Richard Wagner: Die Inszenierung eines Lebens (Blessing Verlag, 2016). Nicholas Vazsonyi.

Paul du Quenoy, Wagner and the French Muse: Music, Society, and Nation in Modern France (Academica Press, 2011). Heath Lees.

Charles Ellis, Wagner’s Ring: a fresh look at the dramatic and music structure (UK Book Publishing, 2022). Niall Hoskin.

Barry Emslie, Pathways to Redemption: The Life and Work of Richard Wagner and Benjamin Britten (Methuen Publishing Ltd, 2020). Claire Seymour.

Barry Emslie, Richard Wagner and the Centrality of Love (Boydell Press, 2010). Mark Berry.

Barry Emslie, Speculations on German History: Culture and the State (Camden House, 2015). Tash Siddiqui.

Christopher Fifield, Hans Richter (The Boydell Press, 2016). Roger Allen.

Jens Malte Fischer, Richard Wagner und seine Wirkung (Paul Zsolnay Verlag, 2013). Hermann Grampp. 

‘Der fliegende Holländer’: Richard Wagner (Overture Opera Guides in association with English National Opera, series editor Gary Kahn, Overture Publishing, 2012). Tash Siddiqui.

Daniel H. Foster, Wagner’s ‘Ring’ Cycle and the Greeks (Cambridge University Press, 2010). Arnold Whittall.

Peter Franklin, Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (University of California Press, 2014). David Matthews.

Sven Fritz, Houston Stewart Chamberlain: Rassenwahn und Welterlösung. Biographie (Schönigh, 2022). Eva Rieger.

Raymond Furness, Richard Wagner (Reaktion Books, 2013). Barry Millington.

Martin Geck, Richard Wagner: A Life in Music, tr. Stewart Spencer (University of Chicago Press, 2013). Arnold Whittall.

Bryan Gilliam, Rounding Wagner’s Mountain: Richard Strauss and Modern German Opera (Cambridge University Press, 2014). Arnold Whittall.

Simon Goldhill, Victorian Culture and Classical Antiquity: Art, Opera, Fiction and the Proclamation of Modernity (Princeton University Press, 2011). Michael Dyson.

Thomas S. Grey ed., The Cambridge Companion to Wagner (Cambridge University Press, 2008). Nicolas Baragwanath.

Thomas S. Grey, ed., Richard Wagner and his World (Princeton University Press, 2009). David Conway.

Helen M. Greenwald, ed., The Oxford Handbook of Opera (Oxford University Press, 2014). Mike Ashman.

Arthur Groos, ed., Richard Wagner: Tristan und Isolde (Cambridge University Press, 2011). Arnold Whittall.

Till Haberfeld and Oswald Georg Bauer, Wieland Wagner: Revolutionär und Visionär des Musiktheaters (Deutscher Kunstverlag, 2017). Mike Ashman.

J.P.E. Harper-Scott, The Event of Music History (Boydell Press, 2021). Jeremy Coleman.

J.P.E. Harper-Scott and Oliver Chandler, Return to Riemann: Tonal Function and Chromatic Music (Routledge, 2024). Arnold Whittall.

Edward R. Haymes, Wagner’s Ring in 1848: New Translations of ‘The Nibelung Myth’ and ‘Siegfried’s Death’ (Camden House, 2010). Tim Blanning.

Norbert Heinel, Richard Wagner als Dirigent (Praesens Verlag, 2006). Chris Walton.

William James Henderson, Richard Wagner: His Life and his Dramas; a Biographical Study of the Man and an Explanation of his Work (repr. of New York and London, 1902 edn). Barry Millington. 

Oliver Hilmes, Herrin des Hügels: Das Leben der Cosima Wagner (Siedler Verlag, 2007). Joachim Köhler.

Oliver Hilmes, Cosima Wagner: The Lady of Bayreuth, tr. Stewart Spencer (Yale University Press, 2010). Tim Blanning. 

Michael Hofmeister, Alexander Ritter: Leben und Werk eines Komponisten zwischen Wagner und Strauss (Tectum Verlag, 2018). Chris Walton.

Raymond Holden, The Virtuoso Conductors: The Central European Tradition from Wagner to Karajan (Yale University Press, 2005). Chris Walton.

Joseph Horowitz, Moral Fire: Musical Portraits from America’s Fin de Siècle (University of California Press, 2012). Alexander H. Shapiro.

Hans Hotter, Memoirs, tr. and ed. Donald Arthur (Northeastern University Press, 2006). Mike Ashman.

David Huckvale, Music for the Superman: Nietzsche and the Great Composers (McFarland & Company, Inc., 2017). Arnold Whittall.

David Huckvale, Visconti and the German Dream: Romanticism, Wagner and the Nazi Catastrophe in Film (McFarland and Company Inc, 2012). Peter Franklin. 

Francis Hueffer, Richard Wagner and the Music of the Future (repr. of London, 1874 edn). Barry Millington. 

John Hunt, Wagner im Festspielhaus: The Bayreuth Recordings (Short Run Press, 2006). Mike Ashman.

Jeongwon Joe and Sander L. Gilman, eds., Wagner and Cinema (Indiana University Press, 2010). Hilan Warshaw.

Gary Kahn, ed. The Power of the ‘Ring’ (Royal Opera House, 2007). Mike Ashman.

Gary Kahn, ed., The Power of the ‘Ring’ (Royal Opera House, 2nd edn, 2012). David Trippett.

Simon Kannenberg, Joachim Raff und Hans von Bülow, 2 vols (Studio Verlag im Verlag Königshausen & Neumann, 2020). Chris Walton.

Kevin C. Karnes, A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna (Oxford University Press, 2013). Peter Franklin.

Anne Kauppala and Martin Knust, eds, Wagner and the North (DocMus Research Publications, 2021). Arnold Whittall.

Markus Kiesel, Joachim Mildner and Dietmar Schuth, eds, Wandrer heißt mich die Welt: Auf Wagners Spuren durch Europa (ConBrio, 2019). Chris Walton.

William Kinderman, Wagner’s ‘Parsifal’ (Oxford University Press, 2013). Anna Stoll Knecht.

William Kinderman and Katherine R. Syer, eds, A Companion to Wagner’s ‘Parsifal’ (Camden House, 2005). Nicholas Baragwanath.

Joachim Köhler, Der lachende Wagner: das unbekannte Leben des Bayreuther Meisters (Heyne, 2012). Chris Walton.

Joachim Köhler, The Laughing Wagner: His Wit, Puns, Pranks & Dare-devil Stunts, tr. Tom Artin (Free Scholar Press, 2015). Niall Hoskin.

Gundula Kreuzer, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (University of California Press, 2018). Tash Siddiqui.

Ortrun Landmann, Wolfgang Mende and Hans-Günter Ottenberg, eds, Richard Wagner: Kgl. Kapellmeister in Dresden (Georg Olms Verlag, 2016). Arnold Whittall.

Colin Lawson and Robin Stowell, eds, The Cambridge History of Music Performance (Cambridge University Press, 2012). David Breckbill.

Heath Lees, Mallarmé and Wagner: Music and Poetic Language (Ashgate, 2007). Arnold Whittall.

Michael Letchford, compiled and ed., Softly Awakes My Heart: Celebrating the Majestic Career of Louise Kirkby Lunn (Michael Letchford Artists). Simon Trezise.

Michael Letchford, Therese Malten: Wagner’s Devoted Kundry (Goar Lodge, 2010). Eva Rieger.

Michael Letchford, compiled and ed., Walter Widdop: the Great Yorkshire Tenor. A Chronology & A Selection of Reviews: 1923–1938. Neil Howlett.

David J. Levin, Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky (University of Chicago Press, 2007). Mike Ashman.

Wendy Ligon Smith, Fortuny: Time, Space, Light (Yale University Press, 2022). Patrick Carnegy.

Nicholas Logie, Nine Articles On Conducting by Richard Wagner: Translation and Commentary (Fountayne Editions FE3002: www.fountayneeditions.com, 2020). Roger Allen. 

Nora London, George London: Of Gods and Demons (Baskerville Great Voices, 2005). Mike Ashman.

John Lucas, The Genius of Valhalla: The Life of Reginald Goodall (Boydell and Brewer, 2009). Roger Allen.

John Lucas, Thomas Beecham: An Obsession with Music (Boydell Press, 2008). David Lloyd-Jones.

John Mastrogiovanni, 'Parsifal': The Will and Redemption (CreateSpace Independent Publishing Platform, 2014). Tom DeRose.

Naomi Matsumoto, ed., Staging Verdi and Wagner (Brepols, 2015). Simon Williams.

William Melton, Humperdinck: A Life of the Composer of ‘Hänsel und Gretel’ (Toccata Press, 2020). Matthew Rye.

William Melton, The Wagner Tuba: A History (edition ebenos, 2008). Jonathan Burton.

‘Die Meistersinger von Nürnberg’: Richard Wagner (Overture Opera Guides, in association with English National Opera, Gary Kahn, series editor, Overture Publishing, 2015). Barry Millington.

Ib Melchior, Lauritz Melchior: The Golden Years of Bayreuth (Baskerville Great Voices, 2003). Mike Ashman.

Barry Millington, Richard Wagner: The Sorcerer of Bayreuth (Thames & Hudson, 2012). Mike Ashman.

Stephan Mösch, Weihe, Werkstatt, Wirklichkeit: ‘Parsifal’ in Bayreuth 1882–1933 (Bärenreiter/Metzler Verlag, 2009). Joachim Köhler.

Stephan Mösch and Sven Friedrich, eds, ’Es gibt nichts “Ewiges”’ – Wieland Wagner: Ästhetik, Zeitgeschichte, Wirkung (Würzburg, 2019). Mike Ashman.

Alexander Moszkowski, Schultze und Müller im Ring des Nibelungen: Satiren über Richard Wagner, ed. Heiko Jacobs (Georg Olms Verlag, 2013). Niall Hoskin.

Stephen Muir and Anastasia Belina-Johnson, eds, Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives (Ashgate, 2013). Rosamund Bartlett.  

Anno Mungen, Hier gilt’s der Kunst: Wieland Wagner 1941–1945 (Westend Verlag, 2021). Simon Williams.

Jean-Jacques Nattiez, Musical Analyses and Musical Exegesis: The Shepherd’s Melody in Richard Wagner’s 'Tristan and Isolde', ed. and tr. Joan Huguet (University of Rochester Press and Boydell & Brewer, 2021). Arnold Whittall.

Ernest Newman, A Study of Wagner (repr. of London and New York, 1899 edn). Barry Millington.

The Nibelungenlied: The Lay of the Nibelungs, tr. Cyril Edwards (Oxford University Press, 2010). Edward Haymes.

Nila Parly, Vocal Victories: Wagner’s Female Characters from Senta to Kundry (Museum Tusculanum Press, 2011). Barbara Eichner.

‘Parsifal’: Richard Wagner (Overture Opera Guides in association with English National Opera, series editor Gary Kahn, Overture Publishing, 2011). Nicholas Baragwanath.

William H. Pastor, Three Pillars of Modern Western Culture: Richard Wagner’s Impact on James Joyce’s ‘Ulysses’ and Marcel Proust’s ‘In Search of Lost Time’ – Leitmotifs, Endless Melody, and Gesamtkunstwerk, 2nd edn (Politics & Prose, 2021). Jeffrey Swann.

Ferdinand Praeger, Wagner As I Knew Him (repr. of London and New York, 1892 edn). Barry Millington. 

Wolfram Pyta, Hitler: Der Kunstler als Politiker und Feldherr. Eine Herrschaftsanalyse (Siedler Verlag, 2015). Tim Blanning. 

Hugh Ridley, Wagner and the Novel. Wagner’s Operas and the European Realist Novel: An Exploration of Genre (Rodopi, 2012). Heath Lees.

Eva Rieger, Frida Leider: Sängerin im Zwiespalt ihrer Zeit, in collaboration with Peter Sommeregger (Georg Olms Verlag, 2016). Barry Emslie.

Eva Rieger, Friedelind Wagner: Die rebellische Enkelin Richard Wagners (Piper Verlag, 2012). Tim Banning.

Eva Rieger, Friedelind Wagner: Richard Wagner’s Rebellious Granddaughter, tr. Chris Walton (The Boydell Press, 2013). Barry Millington.

Eva Rieger, Isolde: Richard Wagners Tochter (Insel Verlag, 2022). Jonas Karlsson.

Eva Rieger, ‘Leuchtende Liebe, lachender Tod’: Richard Wagners Bild der Frau im Spiegel seiner Musik (Artemis & Winkler, 2009). Chris Walton.

Eva Rieger, Minna Wagner: A Life, with Richard Wagner, tr. Chris Walton (University of Rochester Press, 2022). Anna Stoll Knecht. 

Eva Rieger, Richard Wagner’s Women, tr. Chris Walton (Boydell Press, 2011). Kimberly Fairbrother Canton.

Annegret Rosenmüller, ed., Briefwechsel Robert und Clara Schumanns mit Theodor Kirchner, Alfred Volkland und anderen Korrespondenten in der Schweiz (Dohr, 2022). Chris Walton.

Alex Ross, Wagnerism: Art and Politics in the Shadow of Music (New York, 2020). Heath Lees.

Luca Sala, ed., The Legacy of Richard Wagner: Convergences and Dissonances in Aesthetics and Reception (Brepols, 2012). Arnold Whittall.

Paul Schofield, The Redeemer Reborn: ‘Parsifal’ as the Fifth Opera of Wagner’s ‘Ring’ (Amadeus Press, 2007). Paula M. and Edward A. Bortnichak.

Grit Schwarzkopf, Käthchen und Senta: Partnerfindung als Traumspiel in Heinrich von Kleists ‘Das Käthchen von Heilbronn’ und in Richard Wagners ‘Der fliegende Holländer’ (Universitätsverlag Winter, 2015). Fred Bridgham.

Roger Scruton, The Ring of Truth: The Wisdom of Wagner’s ‘Ring of the Nibelung’ (Allen Lane, 2016). Barry Millington.

Anton Seidl, On Conducting (Parrot Press, 2012). Facsimile of the first edition published in The Music Of the Modern World (D. Appleton, 1895). Joseph Horowitz.

Alexander H. Shapiro, The Consolations of History: Themes of Progress and Potential in Richard Wagner’s ‘Götterdämmerung’ (Routledge, 2020). Roger Allen.

Na’ama Sheffi, The Ring of Myths: The Israelis, Wagner and the Nazis, tr. Martha Grenzeback and Miriam Talisman (Sussex Academic Press, rev. paperback edn, 2013). David Conway.

Diane V. Silverthorne, ed., Music, Art and Performance from Liszt to Riot Grrrl: The Musicalization of Art (Bloomsbury, 2019). Charlotte de Mille.

John Snelson, ‘The Ring’: An Illustrated History of Wagner’s ‘Ring’ at the Royal Opera House (Oberon Books, 2006). Dominic McHugh.

Robert Sollich, Clemens Risi, Sebastien Reus and Stephan Jöris, eds, Angst vor der Zerstörung: Der Meister Künste zwischen Archiv und Erneuerung (Theater der Zeit, 2008). Barry Emslie.

Michael P. Steinberg, The Trouble with Wagner (University of Chicago Press, 2018). Barry Millington.

Anna Stoll Knecht, Mahler’s Seventh Symphony (Oxford University Press, 2019). John Warner.

Katherine R. Syer, Wagner’s Visions: Poetry, Politics, and the Psyche in the Operas through ‘Die Walküre’ (University of Rochester Press and Boydell & Brewer, 2014). Heath Lees.

Michael Tanner, The Faber Pocket Guide to Wagner (Faber and Faber, 2010). Barry Emslie.

Christian Thielemann, My Life with Wagner, tr. Anthea Bell (Weidenfeld & Nicolson, 2015). Roger Allen.

Michael Trimble, Robert Ignatius Letellier, Dale Hesdorffer, Sudden Death in Opera: Love, Mortality and Transcendence on the Lyric Stage (Cambridge Scholars Publishing, 2021). Edward A. and Paula M. Bortnichak.

David Trippett, Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity (Cambridge University Press, 2013). Tash Siddiqui.

Hans Rudolf Vaget, ‘Wehvolles Erbe’: Richard Wagner in Deutschland. Hitler, Knappertsbusch, Mann (Fischer Verlag, 2017). Tim Blanning.

Nicholas Vazsonyi, Richard Wagner: Self-Promotion and the Making of a Brand (Cambridge University Press, 2010). Tim Blanning. 

Nicholas Vazsonyi, ed., The Cambridge Wagner Encyclopedia (Cambridge University Press, 2013). Tash Siddiqui.

David Vernon, Disturbing the Universe: Wagner’s Musikdrama (Candle Row Press, 2021). Michael Fuller.

Richard Wagner, The Ring of the Nibelung, tr. and ed. with an introduction by John Deathridge (Penguin Classics, 2018). Jeremy Coleman.

Richard Wagner Sämtliche Werke, general ed. Egon Voss [in 31 volumes, Series A and B] (Schott Musik, 1970–). Jeremy Coleman.

Richard Wagner’s ‘Beethoven’ (1870), tr. Roger Allen (Boydell Press, 2014). David Cormack.

Alan Walker, Hans von Bülow: A Life and Times (Oxford University Press, 2010). Malcolm Miller.

Frederick Paul Walter, The Annotated Ring Cycle, 4 vols (Rowman & Littlefield, 2021–2). Niall Hoskin.

Chris Walton, Lies and Epiphanies: Composers and Their Inspiration from Wagner to Berg (University of Rochester Press and Boydell & Brewer, 2014). David Matthews.

Chris Walton, Richard Wagner’s Essays on Conducting: A New Translation with Critical Commentary (University of Rochester Press and Boydell & Brewer, 2021). Roger Allen.

Chris Walton, Richard Wagner’s Zurich: The Muse of Place (Camden House, 2007). Nicholas Baragwanath.

Susan Webb, Variants in Wagner’s Vocal Lines: The ‘Ring’ Operas (Leyerle Publications, 2000). David Syrus.

Bernd Weikl, Swastikas on Stage: Trends in the Productions of Richard Wagner’s Operas in German Theaters Today, tr. Susan Salms-Moss (Pro-Business, 2015). Mark Berry.

Arnold Whittall, The Wagner Style: Close Readings and Critical Perspectives (Plumbago Books, 2015). Katherine Syer.

Sabine Zurmühl, Cosima Wagner: Ein widersprüchliches Leben (Böhlau Verlag, 2022). Simon Williams.

Frits Zwart, Conductor Willem Mengelberg, 1871–1951: Acclaimed and Accused, tr. Cynthia Wilson (Amsterdam University Press, 2019). Chris Walton.