Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
Use filters to narrow your search by year and article type.
To find specific content, consult our index of contents or use the search facility.
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Samuel L. Leiter, Brooklyn and the ‘Parsifal’ Craze of 1904: Or, How a 50-Cent Stock Company turned Wagner’s Music Drama into a Drama with Music
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Victoria Parrott, ‘Das freie kühne Weib’: ‘Der Ring des Nibelungen’ and the German Women’s Movement
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Eva Rieger, Is Brünnhilde Raped? Searching for Clues in Music, Text and Productions
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Back to Basics in Berlin: Hugo Shirley sees the advantages of a stripped-down production
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All’s Not So Fair in Love and War: There’s violence aplenty in Paris, as Roland Matthews discovers
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Blood Sacrifice: Michael Fuller finds intriguing resonances in Geneva’s new ‘Tannhäuser’
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Faith and Fable: Simon Williams enjoys a thought-provoking production of Wagner’s final opera
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Fairy Tales of Science: Hermann Grampp marvels at a superlative ‘Ring’ in Berlin
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Wagner on the Fringe: Richard Laing is simultaneously inspired and frustrated by a trio of non-traditional performances
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Uhde You Think You Are? Richard Laing binges on a big box of Bayreuth’s best
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Storms in the South China Sea: Christopher Morley finds much to admire in a new recording of Wagner’s early masterpiece
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Metropolitan Elite: Edward Christian-Hare is impressed by a historic recording
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From the Rising of the Son: Some restored recordings allow Richard Moukarzel to eavesdrop on early Wagnerian performance style
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‘Ring’ Revolving: Richard Laing is eventually won over by a clever Swiss tetralogy
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Murder Mystery: Richard Laing is thrilled by a brilliant Brabantian ‘whodunnit’
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The Eyes Have It: Niall Hoskin welcomes a study of a great Wagnerian conductor
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