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David Cormack, Faithful, All Too Faithful

David Cormack, Faithful, All Too Faithful

David Cormack, Faithful, All Too Faithful: William Ashton Ellis and the Englishing of Richard Wagner

David Cormack, Faithful, All Too Faithful

David Cormack, Faithful, All Too Faithful: William Ashton Ellis and the Englishing of Richard Wagner

A Longborough Diary 2024

A Longborough Diary 2024

Richard Laing, our reviews editor, shares his experience of playing first violin in the Longborough orchestra under the celebrated Wagnerian, Anthony Negus

A Longborough Diary 2024

Richard Laing, our reviews editor, shares his experience of playing first violin in the Longborough orchestra under the celebrated Wagnerian, Anthony Negus

Rahway as a New Jersey Bayreuth

Rahway as a New Jersey Bayreuth

Edward A. Bortnichak and Paula M. Bortnichak revel in a Roaring 20s ‘Walküre’, the start of an ambitious Wagnerian venture in New Jersey

Rahway as a New Jersey Bayreuth

Edward A. Bortnichak and Paula M. Bortnichak revel in a Roaring 20s ‘Walküre’, the start of an ambitious Wagnerian venture in New Jersey

Wagner and Anti-Semitism

Wagner and Anti-Semitism

Nobody denies that Wagner was an anti-Semite. But was his anti-Semitism expressed in the works themselves?

Wagner and Anti-Semitism

Nobody denies that Wagner was an anti-Semite. But was his anti-Semitism expressed in the works themselves?

‘Lohengrin’: Seeing Through the Ether

‘Lohengrin’: Seeing Through the Ether

Reflections on Yuval Sharon’s Bayreuth Production by Edward A. Bortnichak and Paula M. Bortnichak

‘Lohengrin’: Seeing Through the Ether

Reflections on Yuval Sharon’s Bayreuth Production by Edward A. Bortnichak and Paula M. Bortnichak

The Bayreuth Neuenfels ‘Lohengrin’ production

The Bayreuth Neuenfels ‘Lohengrin’ production

Edward A. Bortnichak and Paula M. Bortnichak, Hans Neuenfels’s Bayreuth ‘Lohengrin’: Social Science as Music Drama 

The Bayreuth Neuenfels ‘Lohengrin’ production

Edward A. Bortnichak and Paula M. Bortnichak, Hans Neuenfels’s Bayreuth ‘Lohengrin’: Social Science as Music Drama