Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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Nuremberg Life and Afterlife: Roland Matthews is concerned that David McVicar’s Glyndebourne production of ‘Meistersinger’ fails to take account of its legacy
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Profession and Faith: A study of the emerging role played by Jews in the musical business represents a welcome riposte to Wagner’s notorious essay, suggests Jonas Karlsson
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Uplifting Experiences: Alexander H. Shapiro explores the Wagnerian elements in a new study of classical music in America’s Gilded Age
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Rebel with a Cause: Life was tough for a black sheep of the Wagner family, finds Tim Blanning
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Stella P. Revard, Making All Things New: From ‘Paradise Lost’ to the ‘Ring’
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Edward R. Haymes, The Introduction of Nordic Sources for the Nibelung Legend into Germany
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Udo Bermbach, German Readings of the ‘Ring’
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Thus Spake the Profit Motive: Tash Siddiqui is stimulated by an anti-capitalist ‘Holländer’ and other productions at Bayreuth
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Body Building the ‘Ring’: Tash Siddiqui is deeply impressed by the new Munich ‘Ring’ cycle, yet ultimately disappointed by the lack of a larger vision
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Trojan Horse or White Elephant? Wayne Gooding finds the technology of the Met ‘Ring’ more impressive than its dramatic content
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White-Knuckled Wagner: Tash Siddiqui enjoys the ride at the Coliseum
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Coming Home to Roost: A converted chicken shed in the Cotswolds is the place to hear world-class Wagner conducting, reports Barry Millington
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Gliding towards the Grail: David Breckbill evaluates a sleek new ‘Parsifal’ from Marek Janowski
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Stand and Deliver! Matthew Rye assesses whether concert performances can lead to satisfying listening experiences on disc
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Models, Muses and a Missing Masterpiece: Barry Emslie is unimpressed by faux radicalism in Robert Carsen’s ‘Tannhäuser’
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The Berlin Staatsoper Comes of Age: Barry Emslie welcomes a ‘Parsifal’ from another age
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