Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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Bleak Expectations: Simon Williams finds the themes in Francesca Zambello’s San Francisco ‘Ring’ needing a little more work
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Rewriting the Plot: Mark Berry is left confused by some of Günter Krämer‘s directorial decisions in the concluding parts of his Paris ‘Ring’
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Empty Gestures: Mark Berry yearns for more substance in the latest instalment of the Berlin/Milan ‘Ring‘
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The Metropolitan Line: David Breckbill welcomes the chance to hear classic exponents of the great Wagnerian roles in performances recorded live at the Met
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All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary
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The Dutchman Comes Home: Mark Berry is intrigued by a production from Amsterdam that sets tradition against modernity
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Born-again Redeemer: Nicholas Baragwanath celebrates the return of an old friend
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A ‘Tristan’ without the Dialogue: Arnold Whittall finds that a new handbook to Wagner’s key work avoids some major issues
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Edward A. Bortnichak and Paula M. Bortnichak, Wagner’s Voyage from ‘Der fliegende Holländer’ to ‘Parsifal’: A Reappraisal of the Importance of Marryat’s ‘The Phantom Ship’
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Alexander H. Shapiro, McEwan and Forster, the Perfect Wagnerites
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J.P.E. Harper-Scott, Wagner, Sex and Capitalism: An Ideological Critique to Supplement Laurence Dreyfus’s ‘Wagner and the Erotic Impulse’
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Jerry Floyd, Cooking the ‘Ring’: Francesca Zambello on her production for San Francisco
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Ride the Machine: The high-tech set for the Met’s ‘Ring’ begins to prove itself, reports Wayne Gooding
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At the End of the Line: Patrick Carnegy bids farewell to Nikolaus Lehnhoff’s secular staging of ‘Parsifal’
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Missing in Action: Claus Guth fails to connect the dots in the Gran Teatre del Liceu’s ‘Parsifal’, reports Jerry Floyd
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Visions of ‘Parsifal’: Hugo Shirley is perplexed by an enigmatic staging of Wagner’s elusive masterpiece
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