Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
Use filters to narrow your search by year and article type.
To find specific content, consult our index of contents or use the search facility.
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Jeffrey Swann, Wagner and Proust
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William Kinderman, From ‘Death in Venice’ to ‘The Magic Mountain’: Thomas Mann’s Ironic Response to Wagner
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‘Tristan’ without Schopenhauer – or Wagner? Mark Berry discovers challenging questions in Dmitri Tcherniakov’s probing production at the Berlin Staatsoper
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A Rock and a Hard Place: Michael Fuller ponders Pierre Audi’s ‘Tristan und Isolde’ in Amsterdam
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Mind Games: Michael Fuller finds much to consider in the Vienna State Opera’s ‘Parsifal’
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Kind of Blue: Arnold Whittall marvels at the release of the Karajan ‘Ring’ cycle on a single Blu-ray disc
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Wagner’s Hitler – or Hitler’s Wagner? Tim Blanning assesses two recent attempts to elucidate the compelling Hitler–Wagner nexus
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Edward A. Bortnichak and Paula M. Bortnichak, Kindred Spirits of Meiningen and Bayreuth
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David Cormack, Turning the Telescope Round
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Derek Hughes, Wagner and the Boryspil Pogrom: A Reply to Barry Emslie
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Hilan Warshaw, ‘Music Made Visible’: Sergei Eisenstein’s ‘Die Walküre’ and the Birth of Vertical Montage
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Kate Hopkins, Deluded Neurotic or Visionary Woman of the Future? Senta Revalued
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Going Round in Circles: Matthew Rye warms to the visual world conjured up by Achim Freyer for ‘Parsifal’, but is not wholly convinced by its deeper meanings
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In Search of an Ending: Matthew Rye concludes his reports on Karlsruhe’s multi-director ‘Ring’ with an assessment of a ‘Götterdämmerung’ that keeps its audience guessing until the very end
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A Wanderer Comes of Age: Niall Hoskin reviews the third instalment of Jaap van Zweden’s Hong Kong ‘Ring’
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Elder Statesmen: The Hallé’s sonorous ‘Parsifal’ is distinguished by John Tomlinson’s performance of Gurnemanz, finds Niall Hoskin
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