Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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Cross-Cultural Revelation: Barry Millington admires a thought-provoking ‘Parsifal’ in Karlsruhe
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Completing the ‘Gesamtkunstwerk’: Barry Millington is intrigued by a ‘Tristan’ with dancers in the Cotswolds
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Brave New Worlds: Matthew Rye reviews a small selection of last season’s German Wagner productions
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‘Tannhäuser’ and a Martyrdom on the Wartburg: Paula M. Bortnichak and Edward A. Bortnichak are both chilled and thrilled by a hard-hitting ‘Tannhäuser’ in Estonia
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‘… and yet was so new’: A radically revised guide to ‘Meistersinger’ is appraised by Barry Millington
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Exploring the Great Beyond: Fred Bridgham assesses a new study of the music drama after Wagner
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Wagner on the Wide Screen: Arnold Whittall evaluates an investigation into the leitmotif in music drama and film
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Barry Emslie, Sanna Pederson, Eva Rieger, Nicholas Vazsonyi, Gender, Sexuality and Love in Wagner: An Electronic Roundtable
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Owe Ander, ‘Rienzi’ in Swedish (1865): The Case of the Stockholm Score
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Hans Rudolf Vaget, Nazi Cinema and Wagner
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Adrian Daub and Elisabeth Bronfen, Broomhilda Unchained: Tarantino’s Wagner
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‘Holy Art’ in English: Mark Berry is pleased with the ‘Mastersingers’ production and sometimes even moved by the performance
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Inconvenient Truths: Mark Berry finds the Tcherniakov Berlin production of ‘Parsifal’ compelling and thought-provoking
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Sailing By: Matthew Rye senses missed opportunities in a live concert recording of the ‘Dutchman’
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Wagner Without Words: David Breckbill is not at a loss for words to describe both his enthusiasm and reservations
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Contrasting ‘Ring’s: The new Seattle ‘Ring’ recording gives David Breckbill much to enjoy, but a new release of Solti’s Covent Garden ‘Walküre’ from 1961 reminds him of what is missing
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