Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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War and Peace in Brabant, via Moscow and New York: Girard’s ‘Lohengrin’ at the Met has become a commentary on our times, finds Katherine Syer
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Variations on Wagner: Romeo Castellucci’s revived production of ‘Tannhäuser’ is not the only imaginative response to Wagner’s work enjoyed by Richard Laing at the Salzburg Easter Festival
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Bloody Instructions: Michael Fuller looks for more than gore in Michael Thalheimer’s Geneva ‘Parsifal’
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Rainbow Bridge Over Troubled Water: With its future under threat, English National Opera serves up a ‘Rhinegold’ to treasure, writes Roland Matthews
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All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself
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A Glimpse Behind the Curtain: Richard Laing has mixed feelings about the release of some imperfect but intermittently impressive recordings
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‘Wotan married Minna’? Eva Rieger shows that Minna’s relationship with Richard Wagner was more complicated than the composer would have us believe, writes Anna Stoll Knecht
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A Contradictory Life: Simon Williams enjoys a new biography of Cosima Wagner which illuminates the many sides of her personality
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The Magician of Venice: A study of the polymath Mariano Fortuny shines a light on the development of Wagnerian theatre, finds Patrick Carnegy
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Wolfgang Mende, From the Workshop of a Mythmaker: Wagner’s Ideology of Inspiration and the Evidence of the Sketches
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Genevieve Robyn Arkle, Expressions of Suffering: The Five ‘Turn Motifs’ of Wagner’s ‘Parsifal’
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Derek Hughes, New Witnesses of Toscanini’s Bayreuth
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Chris Walton, Tribschen for the Birds? Richard Wagner, Enmeshed in Litigation
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Keith Warner, Sachs in a Dream World
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‘O hehrstes Wunder!’ For Hermann Grampp, Thielemann’s conducting of the ‘Ring’ in the Berlin Staatsoper’s new production is a wonder of our age
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Beyond Dreams: Katherine Syer values an approach to ‘Meistersinger’ that engages with the creative process as well as the stage history of the work
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