Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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Dutchman in the Desert: Simon Williams is thrilled but occasionally mystified by Santa Fe’s ‘Der fliegende Holländer’
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Minimal Props, Maximal Achievement: Barry Millington hails the successful completion of Longborough’s new ‘Ring’
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Fringe Benefits: Richard Laing gets up close and personal to two productions in London
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The Tragedy of Cosima and Isolde: Jonas Karlsson examines an account of an early rift in the Wagner clan
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Adrian Müller, Kurt Overhoff and Wieland Wagner’s Bayreuth
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Kirsten Paige, On the Politics of Wagnerian Care
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Ryan M. Prendergast, Deadly Serious: Humour and Humourlessness in ‘Die Meistersinger von Nürnberg’
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Katherine Syer, ‘It was obviously meant to be’: An Interview with Pietari Inkinen
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Matthew Rye 1962–2023: Barry Millington pays tribute to an incomparable colleague
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War and Peace in Brabant, via Moscow and New York: Girard’s ‘Lohengrin’ at the Met has become a commentary on our times, finds Katherine Syer
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Variations on Wagner: Romeo Castellucci’s revived production of ‘Tannhäuser’ is not the only imaginative response to Wagner’s work enjoyed by Richard Laing at the Salzburg Easter Festival
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Bloody Instructions: Michael Fuller looks for more than gore in Michael Thalheimer’s Geneva ‘Parsifal’
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Rainbow Bridge Over Troubled Water: With its future under threat, English National Opera serves up a ‘Rhinegold’ to treasure, writes Roland Matthews
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All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself
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A Glimpse Behind the Curtain: Richard Laing has mixed feelings about the release of some imperfect but intermittently impressive recordings
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‘Wotan married Minna’? Eva Rieger shows that Minna’s relationship with Richard Wagner was more complicated than the composer would have us believe, writes Anna Stoll Knecht
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