Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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A Personal Voyage Through the Wagnerian Cosmos: Michael Fuller argues that an often engaging reflection on Wagner’s stage works would have benefited from a more critical approach
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The Shadow Within: Barry Millington reviews a revised study that examines Wagnerian secrets
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Philip White, ‘It was all totally by chance ...’: a Decade Working as an Assistant Chorus Master at the Bayreuth Festival
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Ben Winters, ‘Magic Fire’: A Wagner Film with a Difference
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Charlotte Purkis, Passion or Fashion? British Female Wagnerites ‘Out and About’ Around 1900
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Israfel Mondego [alias Gertrude Hudson], Buggins at Bayreuth
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Roger Allen, ‘On the Destiny of Opera’: The Musically Conceived Drama or ‘Deeds of Music made Visible’
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The Birth of Tragedy From the Spirit of Music: Hermann Grampp is overjoyed to find Stefan Herheim’s ‘Ring’ cycle at the Berlin Deutsche Oper back on track after its Covid-related interruptions
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Street Scenes: Matthew Rye reports on Bayreuth’s new landlocked ‘Holländer’ from the comfort of home
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Long Day’s Journey Into Night: Diane V. Silverthorne reviews a highly contemporary reading of ‘Tristan und Isolde’ at the Aix-en-Provence Festival
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Death Wishes: Barry Millington sees two productions of ‘Tristan und Isolde’ that reflected the effects of the pandemic in both dramatic and practical ways
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No Nothung: Barry Millington assesses Longborough’s pared-down ‘Walküre’
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Slipway to Heaven: Michael Fuller’s survey of the spring’s streamed performances sees the gradual return of audiences and takes him from shipyard to prison
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Don’t Shoot the Messengers: An intriguing project reminds Richard Laing of what he’s missing
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Game of Cones: Matthew Rye tries to keep a straight face through the first two instalments of a decade-old Bulgarian staging of the ‘Ring’
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Shepherd Calls the Tune: Arnold Whittall investigates a provocative reading of ‘Tristan und Isolde’ that centres on the Act III ‘alte Weise’
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