The Wagner Journal
The Wagner Journal, March 2014, Volume 8, Number 1
The Wagner Journal, March 2014, Volume 8, Number 1
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Features
Heath Lees, Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Musical Trio
Peter Bloom, Tracking Träume: The Sources and Sounds of Wagner’s Wesendonck Lied
David Breckbill, Wagner Tenors and the Quest for the ‘Ideal’
Tash Siddiqui, Strange and Forbidden Fruits: A Report on the Conference at Leeds University
Reviews (live performances)
Fifty Shades of Grey: Tash Siddiqui is captivated by a tale of sex, sin and possible salvation
Wagner and the Victorians: Michael Ewans reports on the new Ring in Melbourne
Opening up the Grail: Katherine Syer applauds an inclusive approach to Parsifal
Out to Shock: A gruelling Wagnerian extravaganza has its moments, writes Graeme Feggetter
Reviews (CDs)
Phantom of the Opéra: Mike Ashman evaluates a ghostly double-bill
Wagner with a Russian Accent: David Breckbill questions the coherence of the Mariinsky Rheingold
Quarts into Pint Pots: Matthew Rye reviews two discs of Wagnerian piano arrangements
Reviews (DVDs)
The Plebs Rise up: Barry Emslie welcomes a radical production of Rienzi
Reviews (books)
Perfection in Imperfection? Arnold Whittall appraises a major new study of Wagner and his works
Wagner and More: Neil Howlett assesses a documentary volume devoted to Walter Widdop
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