Collection: Products
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101 Uses for a Tarnhelm: Niall Hoskin enjoys an irreverent look at the ‘Ring’
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A Calling-Card of Note: Roland Matthews welcomes a debut Wagner disc from James Rutherford
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A Classroom Lesson in German History: Barry Millington is enthralled by Peter Konwitschny’s ‘Lohengrin’ in Copenhagen
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A Contradictory Life: Simon Williams enjoys a new biography of Cosima Wagner which illuminates the many sides of her personality
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A Curate’s Egg: Arnold Whittall relishes some good parts, but as a whole this weighty multi-lingual collection lacks substance
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A Digital Disappointment: David Ames sees Opera Australia unveil its second new production of the tetralogy in a decade
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A Doctor Writes: Insights from medicine and psychiatry enhance a new study, suggests Barry Millington
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A Dream Come True: Mike Ashman greets the belated release of Joachim Herz’s pioneering ‘Holländer’ film
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A Glimpse Behind the Curtain: Richard Laing has mixed feelings about the release of some imperfect but intermittently impressive recordings
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A Glimpse of Goodall at the Garden: David Breckbill extends a cautious welcome to a ‘Parsifal’ of ‘hallowed memory’
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A Knight at the Circus: Barry Millington thrills to a powerful reworking of ‘Tannhäuser’ at the Bayreuth Festival
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A Lang Overdue Restoration: Roland Matthews welcomes a sumptuous re-release of Fritz Lang’s 1920s film epic ‘Die Nibelungen’
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A Latin Pilgrimage: Peter Quantrill welcomes the earliest recording of a pivotal Bayreuth production
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A Natural ‘Ring’ from the Garden: David Breckbill savours Rudolf Kempe’s Royal Opera cycle
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A Personal Voyage Through the Wagnerian Cosmos: Michael Fuller argues that an often engaging reflection on Wagner’s stage works would have benefited from a more critical approach
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A Place in the Pantheon: A new biography of Willem Mengelberg reveals a flawed genius, says Chris Walton
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