Collection: Products
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A Way with the Fairies: Matthew Rye welcomes the first full English-language assessment of Wagner’s disciple Engelbert Humperdinck
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A ‘Holländer’ for the Credit Crunch: Tash Siddiqui is impressed by the new production at Covent Garden
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A ‘Lohengrin’ to rival Kempe’s: Roger Allen awards the new Bychkov recording a place in the pantheon
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A ‘Tristan’ without the Dialogue: Arnold Whittall finds that a new handbook to Wagner’s key work avoids some major issues
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Abandon Ship! Richard Laing can’t stay on board this doomed ‘Dutchman’
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Adopting a Pose: Barry Millington admires a world-class ‘Tristan’ in West Horsley
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Adrian Daub and Elisabeth Bronfen, Broomhilda Unchained: Tarantino’s Wagner
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Adrian Müller, Kurt Overhoff and Wieland Wagner’s Bayreuth
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Against the Odds: Michael Fuller reviews a selection of recent Wagner performances recorded and made available online during the Covid pandemic
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Alden-Style Dutchman Returns to Home Port: Wayne Gooding welcomes the revival of a classic to launch the Canadian Opera Company’s first full post-pandemic season
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Alex Ross, ‘Götterdämmerung’ 1945: Wagnerian Fantasies in English-Language Reports of Hitler’s Death
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Alexander H. Shapiro, McEwan and Forster, the Perfect Wagnerites
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Alexander Shapiro and Barry Emslie, ‘All is Clear to me Now’: Brünnhilde as World Historical Hero
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All Hail to the Hallé ‘Ring’: Niall Hoskin salutes the third instalment of a Mancunian cycle
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All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary
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All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself
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