Collection: Products
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Visions from the Green Hill: Matthew Rye gives a personal assessment of a much-discussed decade of Bayreuth Festival productions
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Visions of ‘Parsifal’: Hugo Shirley is perplexed by an enigmatic staging of Wagner’s elusive masterpiece
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Wagner and Anti-semitism
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Wagner and More: Neil Howlett assesses a documentary volume devoted to Walter Widdop
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Wagner and the Victorians: Michael Ewans reports on the new ‘Ring’ in Melbourne
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Wagner Brought to Book: Wagner’s fictionalised death in Venice and a study of Wagner and 19th-century realist fiction reveal novel aspects of the composer’s life, works and death, suggests Heath Lees
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Wagner Goes Digital: Barry Millington welcomes reprints of classic studies of the composer
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Wagner in Arcadia: Roland Matthews discovers Wagner performance thriving away from the metropolis
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Wagner in Paris, or Paris in Wagner: Heath Lees is intrigued by a refreshing new approach to Wagner’s relationship with Paris
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Wagner on the Analysts’ Couch: Arnold Whittall explores a new symposium and various associated articles in a survey of recent Wagneriana
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Wagner on the Wide Screen: Arnold Whittall evaluates an investigation into the leitmotif in music drama and film
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Wagner Performance in a Time of Corona: Hermann Grampp reports on Germany’s pint-sized Wagner year
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Wagner Plays to the Gallery: Suzanne Bosman examines a survey of visual artists influenced by Wagner’s work
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Wagner Re-imagined in the Cotswolds: Roger Allen reviews the Longborough ‘Ring’
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Wagner Staging: The Debate Continues (Transcript of Roundtable Discussion at ‘Wagner in Performance’ Conference)
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Wagner with a Russian Accent: David Breckbill questions the coherence of the Mariinsky ‘Rheingold’
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