Collection: Products
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Under the Sign of Tonality: Arnold Whittall explores a new music–theoretical approach to understanding the ‘Ring’
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Under the Spell: Mike Ashman appraises a provocative study of Wagner
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Uninvited Guests: Mark Berry finds that more is less in the Weimar ‘Ring’
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Unkind Cuts: David Breckbill evaluates a pair of abridged historical performances from the Met
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Up Close and Personal: Longborough Festival Opera continues to impress, finds Roland Matthews
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Up in the Gods: John Warner enjoys an impressive but distantly recorded middle act of ‘Tristan’ from Barbirolli
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Uplifting Experiences: Alexander H. Shapiro explores the Wagnerian elements in a new study of classical music in America’s Gilded Age
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Valkyries Ride through Time and Space: Recordings of ‘Walküre’ over a span of eighty years are evaluated by Niall Hoskin
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Vanessa K. Iacocca, Reciprocal Redemption: Parsifal, Kundry and Shared Compassion as Wagner’s Allegorical Vision for Germany
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Variations on Wagner: Romeo Castellucci’s revived production of ‘Tannhäuser’ is not the only imaginative response to Wagner’s work enjoyed by Richard Laing at the Salzburg Easter Festival
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Venus Envy: Matthew Rye feels the musical rewards make up for a so-so production in a very contemporary take on ‘Tannhäuser’
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Victorian Values: Wayne Gooding admires a resourceful presentation of ‘Rheingold’ in British Columbia
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Victors or Victims? Barbara Eichner welcomes a further contribution to the debate on Wagner’s heroines
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Video enters the Gesamtkunstwerk: Wayne Gooding is stimulated by the visual and theatrical components of the Valencia ‘Ring’
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Viola Violation: Mark Berry is unconvinced by the visual element of the Peter Sellars ‘Tristan’
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Virgin Territory: Matthew Rye is seduced by a provocative staging of ‘Tannhäuser’
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