Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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The Birth of Tragedy From the Spirit of Music: Hermann Grampp is overjoyed to find Stefan Herheim’s ‘Ring’ cycle at the Berlin Deutsche Oper back on track after its Covid-related interruptions
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Street Scenes: Matthew Rye reports on Bayreuth’s new landlocked ‘Holländer’ from the comfort of home
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Long Day’s Journey Into Night: Diane V. Silverthorne reviews a highly contemporary reading of ‘Tristan und Isolde’ at the Aix-en-Provence Festival
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Death Wishes: Barry Millington sees two productions of ‘Tristan und Isolde’ that reflected the effects of the pandemic in both dramatic and practical ways
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No Nothung: Barry Millington assesses Longborough’s pared-down ‘Walküre’
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Slipway to Heaven: Michael Fuller’s survey of the spring’s streamed performances sees the gradual return of audiences and takes him from shipyard to prison
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Don’t Shoot the Messengers: An intriguing project reminds Richard Laing of what he’s missing
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Game of Cones: Matthew Rye tries to keep a straight face through the first two instalments of a decade-old Bulgarian staging of the ‘Ring’
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Shepherd Calls the Tune: Arnold Whittall investigates a provocative reading of ‘Tristan und Isolde’ that centres on the Act III ‘alte Weise’
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Round the Houses: Chris Walton enjoys a lavishly illustrated tour around some of the most significant places in Wagner’s itinerant life
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Raff Riff: Chris Walton welcomes a reassessment of Wagner disciple Joachim Raff and his friendship with Hans von Bülow
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Vanessa K. Iacocca, Reciprocal Redemption: Parsifal, Kundry and Shared Compassion as Wagner’s Allegorical Vision for Germany
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John Pierce O’Reilly, ‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s Late Music Dramas
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Richard Wagner, Observations on Today’s German Opera Scene, translated by Niall Hoskin
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Peter Bassett, How Tristan and Isolde Almost Went Down to Rio
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Against the Odds: Michael Fuller reviews a selection of recent Wagner performances recorded and made available online during the Covid pandemic
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