Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
Use filters to narrow your search by year and article type.
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Long Day’s Journey Into Night: Diane V. Silverthorne reviews a highly contemporary reading of ‘Tristan und Isolde’ at the Aix-en-Provence Festival
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Death Wishes: Barry Millington sees two productions of ‘Tristan und Isolde’ that reflected the effects of the pandemic in both dramatic and practical ways
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No Nothung: Barry Millington assesses Longborough’s pared-down ‘Walküre’
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Slipway to Heaven: Michael Fuller’s survey of the spring’s streamed performances sees the gradual return of audiences and takes him from shipyard to prison
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Don’t Shoot the Messengers: An intriguing project reminds Richard Laing of what he’s missing
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Game of Cones: Matthew Rye tries to keep a straight face through the first two instalments of a decade-old Bulgarian staging of the ‘Ring’
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Shepherd Calls the Tune: Arnold Whittall investigates a provocative reading of ‘Tristan und Isolde’ that centres on the Act III ‘alte Weise’
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Round the Houses: Chris Walton enjoys a lavishly illustrated tour around some of the most significant places in Wagner’s itinerant life
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Raff Riff: Chris Walton welcomes a reassessment of Wagner disciple Joachim Raff and his friendship with Hans von Bülow
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Vanessa K. Iacocca, Reciprocal Redemption: Parsifal, Kundry and Shared Compassion as Wagner’s Allegorical Vision for Germany
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John Pierce O’Reilly, ‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s Late Music Dramas
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Richard Wagner, Observations on Today’s German Opera Scene, translated by Niall Hoskin
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Peter Bassett, How Tristan and Isolde Almost Went Down to Rio
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Against the Odds: Michael Fuller reviews a selection of recent Wagner performances recorded and made available online during the Covid pandemic
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Something is Rotten in the State of Brabant: In the wake of the 6 January Capitol riot, Richard Laing is struck by the contemporary resonance of Stuttgart’s 2018 production
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Casting a Long Shadow: Roger Allen considers two new translations of Wagner’s influential essay ‘On Conducting’
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