Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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A Ride on the Munich Ring Road: Matthew Rye enjoys Rattle’s way with Wagner, even if his choice of cast has its ups and downs
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The Sense of an Ending: Roger Allen assesses a new broadside in the ongoing debate about the coherence of ‘Götterdämmerung’
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Going into the Sound: Charlotte de Mille welcomes a multi-authored volume tracing the ‘Gesamtkunstwerk’ after Wagner
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In Wagner’s Footsteps: Chris Walton is swept away by a guidebook of Wagner’s travels
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Michael Fuller, Redemption in Wagner: The Case of Senta
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Richard Mecarsel, Wagner, Artaud and Brecht: The Shaping of Modern Art
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Alexander Shapiro and Barry Emslie, ‘All is Clear to me Now’: Brünnhilde as World Historical Hero
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Russell Burdekin, Darkening the Auditorium at Bayreuth in 1876
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Sheep, Goats and Metaphysics in ‘Tristan’: Mark Berry is not fully convinced by a new production in Wagner’s home city
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Burning Down the House: Michael Fuller finds Richard Jones’s Munich ‘Lohengrin’ still packs a punch
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Strangely Shrunken ‘Siegfried’: Niall Hoskin is unimpressed by an ill-judged selection of bleeding chunks from the third act
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Between the Devil and the Deep Blue Sea: Richard Laing likes the cut of this Dutchman’s jib
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Furtwängler Faces the Music: Erik Levi welcomes a forensic and balanced account of the conductor’s career, writings and compositions
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Steam and Hot Air: Tash Siddiqui is entertained but frustrated by an over-theorised exploration of Wagnerian stage technologies
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Wagner in Paris, or Paris in Wagner: Heath Lees is intrigued by a refreshing new approach to Wagner’s relationship with Paris
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A Place in the Pantheon: A new biography of Willem Mengelberg reveals a flawed genius, says Chris Walton
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