Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
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Hans Rudolf Vaget, Knappertsbusch in Bayreuth
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Michael Trimble, Dale C. Hesdorffer, Robert Letellier and Gordon T. Plant, In Wagner’s Eyes: Casting Light on a Disputed Portrait
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David Cormack, Ernest Newman in ‘Naziland’: In Search of Otto Strobel
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Richard Wagner, Report on the Production of ‘Tannhäuser’ in Paris, translated by Niall Hoskin
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A Knight at the Circus: Barry Millington thrills to a powerful reworking of ‘Tannhäuser’ at the Bayreuth Festival
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‘Das Rheingold’ with a Twist: Kate Hopkins, Christopher Wintle and Barry Millington report on a staging with Dickensian overtones at Longborough
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Made to Measure: Richard Laing considers the merits of reduced versions of two works of Wagner
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Games of Thrones: Matthew Rye witnesses different examples of power-play in part of an ongoing ‘Ring’, a standalone ‘Götterdämmerung’ and a paganist ‘Lohengrin’
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Broadly Satisfying: Niall Hoskin welcomes the final instalment of Mark Elder’s Hallé ‘Ring’
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In the Steps of Flagstad: Mike Ashman assesses the qualities of the latest Wagnerian superstar
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Stretched to Oblivion: John Warner finds Bernstein’s glacial ‘Tristan’ unconvincing
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John Warner, ‘Es klang so alt, und war doch so neu’: Wagner’s Greatest Myth: Musical Historicism in ‘Die Meistersinger von Nürnberg’
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Jeremy Coleman, ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s ‘Iphigénie en Aulide’
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Roger Allen, ‘Das, was eigentlich Musik’: Richard Wagner’s reception of Beethoven’s Piano Sonata No. 28, Op. 101
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Semper Not Fidelis: Michael Fuller visits Dresden to find a playful Konwitschny ‘Tannhäuser’ outclassed by a sombre ‘Holländer’
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Flagging Unity: Mark Berry is unimpressed by recent revivals of ‘Meistersinger’ and ‘Rienzi’ in Berlin
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