Collection: Other Back Content
This page shows all current and previous content of The Wagner Journal from its inaugural issue of March 2007.
Use filters to narrow your search by year and article type.
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Chris Walton, Wagner, Berlioz and the Origins of ‘Über das Dirigieren’
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Diane V. Silverthorne, Wagnerism – No End in Sight
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Up in the Gods: John Warner enjoys an impressive but distantly recorded middle act of ‘Tristan’ from Barbirolli
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Dutchman in the Doldrums: The frisson of the supernatural is missing from this Florentine production for Richard Laing
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The Rest is Wagner: Heath Lees hails a breathtaking conspectus of Wagnerism
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In the Shadow of a Genius: Mike Ashman appraises two studies of the work of the composer’s grandson Wieland
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Not So Simply Divine: Jürgen Thym admires a dense but persuasive theological exegesis of the ‘Ring’
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Peter Bassett, The Use of Eastern Concepts in Wagner’s Stage Works
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Emre Aracı, Wagner and the Ottomans
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Brooke McCorkle Okazaki, Gender, Japan and the Takarazuka Revue’s 1968 ‘Tristan and Isolde’
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All the World’s a Stage: Matthew Rye reviews productions of Wagner’s last three standalone stage works in Germany and France
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Strait into the Saddle: Matthew Schmidt hails the Singapore premiere of ‘Die Walküre’
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Nothing’s Stirring in the Forest: Jurowski’s magnificent conducting did not make up for visual shortcomings in his semi-staged ‘Siegfried’, finds Niall Hoskin
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Keeping it in the Family: Richard Laing is moved by an insightful production of ‘Die Walküre’ on Blu-ray
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‘Tristan’ Downplayed: John Warner offers his verdict on the West Australian Symphony Orchestra’s 90th birthday celebrations
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O, That We Were There! Richard Laing considers a frustrating recording of an extraordinary performance
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