Collection: Products
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David Breckbill 1957–2016: Barry Millington pays tribute to a valued friend and colleague
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David Breckbill, Reviews of Knappertsbusch and Keilberth recordings
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David Breckbill, Wagner Tenors and the Quest for the ‘Ideal’
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David Breckbill, ‘Where’s the Drama?’: Personal Reflections on the Intersection of Music and Theatre in Wagner Performance
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David Conway, Jews, Music and Wagner
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David Cormack, An Abduction from the Seraglio: Rescuing Jessie Laussot
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David Cormack, Antipodean: The Converse Life of David Irvine, with Four Unpublished Letters
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David Cormack, Ernest Newman in ‘Naziland’: In Search of Otto Strobel
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David Cormack, Our English Monster-Man
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David Cormack, Turning the Telescope Round
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David Milsom, Style and Sonority in Wagner String Performance
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David Syrus, Review of Webb, ‘Variants in Wagner’s Vocal Lines’
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Death Wishes: Barry Millington sees two productions of ‘Tristan und Isolde’ that reflected the effects of the pandemic in both dramatic and practical ways
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Death-Devoted Art: Edward A. and Paula M. Bortnichak review a multidisciplinary examination of the role of death in opera
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Deborah Calland and Barry Millington, ‘Lonely Walk’: an Unpublished Song by Alma Schindler-Mahler
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Deeds of Music Made (In)visible: Richard Moukarzel considers an account of the genesis of ‘Der Ring des Nibelungen’
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