Collection: Products
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Don’t Shoot the Messengers: An intriguing project reminds Richard Laing of what he’s missing
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Double Measure: Matthew Rye finds two new productions from the same director reap differing rewards
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Dreaming of Utopia: Peter Franklin examines two studies of the lingering influence of Wagner
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Dutchman in the Desert: Simon Williams is thrilled but occasionally mystified by Santa Fe’s ‘Der fliegende Holländer’
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Dutchman in the Doldrums: The frisson of the supernatural is missing from this Florentine production for Richard Laing
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Easter Offerings: Mark Berry reports on a pair of contrasting productions in Berlin
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Edward A. Bortnichak and Paula M. Bortnichak, Dreaming and Being: Perspectives on Yuval Sharon’s Bayreuth ‘Lohengrin’
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Edward A. Bortnichak and Paula M. Bortnichak, Kindred Spirits of Meiningen and Bayreuth
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Edward A. Bortnichak and Paula M. Bortnichak, Redeeming Senta
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Edward A. Bortnichak and Paula M. Bortnichak, Reflections on Dmitri Tcherniakov’s ‘Der fliegende Holländer’: Everyman’s Search for Home and Justice
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Edward A. Bortnichak and Paula M. Bortnichak, The New Wagnerian Menagerie: Bayreuth as Social Evolution and Bioethics Laboratory
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Edward A. Bortnichak and Paula M. Bortnichak, The ‘Missing Link’ in the Evolution of Wagner’s ‘Siegfried’
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Edward A. Bortnichak and Paula M. Bortnichak, Wagner’s Voyage from ‘Der fliegende Holländer’ to ‘Parsifal’: A Reappraisal of the Importance of Marryat’s ‘The Phantom Ship’
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Edward A. Bortnichak and Paula M. Bortnichak, ‘Parsifal’ as Contagion Narrative and Discourse of Mourning
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Edward A. Bortnichak, Bayreuth Masterclass in the Dynamics of Change: An Appreciation of Katharina Wagner’s Production of ‘Die Meistersinger’
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Edward R. Haymes, The Introduction of Nordic Sources for the Nibelung Legend into Germany
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