Collection: Products
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Derek Hughes, New Witnesses of Toscanini’s Bayreuth
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Derek Hughes, Wagner and the Boryspil Pogrom: A Reply to Barry Emslie
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Derek Hughes, Wagner and ‘the Jew Guggenheim’
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Derek Hughes, Wagner: Race, Nationalism and Other Distractions
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Derek Hughes, Wagner: The Pogrom and the Critics
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Derek Hughes, Wagner’s Worst Joke
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Derek Hughes, ‘There Was No Need To Spell It Out’: Early Wagner Criticism and the Question of Anti-Semitism. Part 1: ‘Der Ring des Nibelungen’
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Derek Hughes, ‘There Was No Need To Spell It Out’: Early Wagner Criticism and the Question of Anti-Semitism. Part 2: ‘Parsifal’ and ‘Die Meistersinger von Nürnberg’
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Desert Song: Sand dominates a ‘Tristan’ at the Maggio Musicale, reports Michael Fuller
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Desert-Island Trysts: Hamburg’s new ‘Tannhäuser’ leaves Matthew Rye feeling dramatically abandoned
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Diane Finiello Zervas, ‘The Prophet Of Love’: C.G. Jung, Richard Wagner and ‘Parsifal’
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Diane V. Silverthorne, Wagnerism – No End in Sight
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Diane V. Silverthorne, Wagner’s ‘Tristan und Isolde’, Arranged Mahler, Roller: The Will Made Visible
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Directors’ Decade: Matthew Rye finds plenty to enjoy in a bicentennial set that brings together recent interpretations of all ten of Wagner’s canonic music dramas
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Disciples, Gamblers and Eccentrics: Chris Walton is intrigued by the overlapping friendships of Wagner and the Schumanns
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Discount Subscription – 2 year
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