Collection: Products
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Edward A. Bortnichak and Paula M. Bortnichak, Reflections on Dmitri Tcherniakov’s ‘Der fliegende Holländer’: Everyman’s Search for Home and Justice
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Edward A. Bortnichak and Paula M. Bortnichak, The New Wagnerian Menagerie: Bayreuth as Social Evolution and Bioethics Laboratory
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Edward A. Bortnichak and Paula M. Bortnichak, The ‘Missing Link’ in the Evolution of Wagner’s ‘Siegfried’
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Edward A. Bortnichak and Paula M. Bortnichak, Wagner’s Voyage from ‘Der fliegende Holländer’ to ‘Parsifal’: A Reappraisal of the Importance of Marryat’s ‘The Phantom Ship’
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Edward A. Bortnichak and Paula M. Bortnichak, ‘Parsifal’ as Contagion Narrative and Discourse of Mourning
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Edward A. Bortnichak, Bayreuth Masterclass in the Dynamics of Change: An Appreciation of Katharina Wagner’s Production of ‘Die Meistersinger’
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Edward R. Haymes, The Introduction of Nordic Sources for the Nibelung Legend into Germany
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Egon Voss, Richard Wagner and the Lied
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Elder Blossoms: Dominic McHugh admires a Wagner disc from the Hallé
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Elder Statesmen: The Hallé’s sonorous ‘Parsifal’ is distinguished by John Tomlinson’s performance of Gurnemanz, finds Niall Hoskin
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Eloquent Elders: Arnold Whittall muses on the history of Wagner recordings with Knappertsbusch’s ‘Meistersinger’ and Elder’s ‘Lohengrin’
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Emancipating the Redeemer: Kimberly Fairbrother Canton is stimulated by a new study of women and gender in Wagner
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Empty Gestures: Mark Berry yearns for more substance in the latest instalment of the Berlin/Milan ‘Ring‘
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Emre Aracı, Wagner and the Ottomans
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Encyclopaedic Knowledge: Tash Siddiqui delivers her verdict on a comprehensive study of Wagner
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Entente Cordiale: Paul du Quenoy appraises the first postwar ‘Parsifal’ in Paris
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