Collection: Products
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Fringe Benefits: Richard Laing gets up close and personal to two productions in London
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From Cylinders to SACD: Simon Trezise examines technical aspects of recordings old and new
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From Magdeburg to Leipzig, via Palermo: Mark Berry assesses Leipzig Opera’s bicentenary staging of ‘Das Liebesverbot’
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From the Coalface: Mike Ashman finds plenty of Wagnerian enlightenment in a general operatic volume drawing on the latest scholarship
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From the Rising of the Son: Some restored recordings allow Richard Moukarzel to eavesdrop on early Wagnerian performance style
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Full Marx for Paris ‘Ring’: Mark Berry is impressed by Günter Krämer’s political approach to the tetralogy
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Full of Sound and Fury, Signifying Plenty: Richard Laing is exhilarated but exhausted by one of the 20th century’s most feared conductors
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Furtwängler Faces the Music: Erik Levi welcomes a forensic and balanced account of the conductor’s career, writings and compositions
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Game of Cones: Matthew Rye tries to keep a straight face through the first two instalments of a decade-old Bulgarian staging of the ‘Ring’
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Games of Thrones: Matthew Rye witnesses different examples of power-play in part of an ongoing ‘Ring’, a standalone ‘Götterdämmerung’ and a paganist ‘Lohengrin’
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Genesis Myths: Anna Stoll Knecht assesses a new study of the creative process of ‘Parsifal’
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Genevieve Robyn Arkle, Expressions of Suffering: The Five ‘Turn Motifs’ of Wagner’s ‘Parsifal’
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Gliding towards the Grail: David Breckbill evaluates a sleek new ‘Parsifal’ from Marek Janowski
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Glossing Gluck: Matthew Rye explores a little-known byway in the Wagnerian oeuvre
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God is Dead: Sebastian Kranner hails the stimulating opening of Munich’s new ‘Ring’ cycle
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Going Dutch in Dublin: David Evans sees the ghostly ship making a rare visit to Ireland
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