Collection: Products
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Ivan Ward, ‘Parsifal’ as Castration Drama
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J.P.E. Harper-Scott, Wagner, Sex and Capitalism: An Ideological Critique to Supplement Laurence Dreyfus’s ‘Wagner and the Erotic Impulse’
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Jedermanns Bayreuth: Edward A. Bortnichak and Paula M. Bortnichak report on current productions and the commitment of the new regime to ‘open the shrine’
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Jeffrey Swann, Wagner and Proust
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Jeremy Coleman, Redemption from the Redeemer? Review Article on Roger Scruton and his Wagner’s ‘Parsifal’
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Jeremy Coleman, ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s ‘Iphigénie en Aulide’
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Jerry Floyd, Cooking the ‘Ring’: Francesca Zambello on her production for San Francisco
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Joachim Herz, Postmodernism Occupies Richard Wagner
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Joachim Köhler, The ‘Ring’ and the Romantic Tradition
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Joachim Köhler, Wagner’s Acquittal
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John Deathridge, Public and Private Life: Scenes and Episodes from the Composition of ‘Tristan und Isolde’
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John Pierce O’Reilly, ‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s Late Music Dramas
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John Warner, ‘Es klang so alt, und war doch so neu’: Wagner’s Greatest Myth: Musical Historicism in ‘Die Meistersinger von Nürnberg’
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Jonas Karlsson, Bernhard Loeser and the Berlin Premiere of ‘Die Meistersinger’
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Jonas Karlsson, Wagnerian Iconography in the ‘Kladderadatsch’, 1914–1944
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Jonas Karlsson, ‘In that hour it began’? Hitler, ‘Rienzi’, and the Trustworthiness of August Kubizek’s ‘The Young Hitler I Knew’
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