Collection: Products
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Heath Lees, Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Musical Trio
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Heavenly Pair: Bruckner and his Idol. Richard Laing enjoys a feast of sumptuous playing from Andris Nelsons and the Leipzig Gewandhaus Orchestra, though the service is a little slow
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Help for Heroes: Matthew Rye enjoys a disc of orchestral rarities but is unconvinced by an act of vocal heroism
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Heroes On Stage and Off: Christopher Morley reports on Regents Opera’s continuing ‘Ring’ cycle
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Hilan Warshaw, ‘Music Made Visible’: Sergei Eisenstein’s ‘Die Walküre’ and the Birth of Vertical Montage
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Hilda Meldrum Brown, Richard Wagner and the ‘Zurich writings’ 1849–51: From Revolution to ‘Ring’
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Holding Fire: Roland Matthews has mixed feelings about the first instalment of Richard Jones’s third foray into the ‘Ring’ cycle
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Honey, I Shrunk the ‘Ring’ Cycle: Tash Siddiqui senses an uneasy alliance between cabaret and high drama in a potted version of Wagner’s tetralogy
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Hope in the Darkness: Simon Williams discovers plenty of contemporary resonance in San Francisco’s revival of David Alden’s ‘Lohengrin’
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Houston, We have a Problem: Barry Millington is thrilled by a new opera about the Wagner legacy
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Houston’s Mission Control: Eva Rieger is impressed by a large-scale biography of Cosima’s English son-in-law
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How Late It Was, How Late: David Matthews takes issue with a survey of late Romanticism in thrall to the academy
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Ideal Companion: Nicholas Baragwanath is impressed by a multi-author study of Wagner
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Imprisoned by Love: Matthew Rye finds plenty of food for thought in a darkly unromantic view of Wagner’s ‘monument to love’
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In Search of an Ending: Matthew Rye concludes his reports on Karlsruhe’s multi-director ‘Ring’ with an assessment of a ‘Götterdämmerung’ that keeps its audience guessing until the very end
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In Search of Ecstasy: The wellsprings of ‘Tristan und Isolde’ are traced by Christopher Morris
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