Collection: Products
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Grim Tale Told with Dark Humour: Simon Williams is enthralled by the final instalment of the Los Angeles ‘Ring’
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Hans Rudolf Vaget, Knappertsbusch in Bayreuth
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Hans Rudolf Vaget, Nazi Cinema and Wagner
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Hans Rudolf Vaget, The Importance of Ernest Newman
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Hans Rudolf Vaget, ‘Es lebe Amerika!’: Richard Wagner and the United States
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Hans Rudolf Vaget, ‘Operation Walküre’: The Movie and the History
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Hans von Bülow on Richard Wagner’s ‘Faust’ Overture, translated, introduced and annotated by Thomas Grey
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Hara-Kiri at the Coliseum: Tash Siddiqui is swept away by a superb ‘Tristan’ at the troubled ENO
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Healing the Wounds: Barry Millington welcomes the blood-spattered Met ‘Parsifal’ into his own home
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Heath Lees, Transformation at Tribschen: How a French Literary Trio Became a Wagnerian Musical Trio
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Heavenly Pair: Bruckner and his Idol. Richard Laing enjoys a feast of sumptuous playing from Andris Nelsons and the Leipzig Gewandhaus Orchestra, though the service is a little slow
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Help for Heroes: Matthew Rye enjoys a disc of orchestral rarities but is unconvinced by an act of vocal heroism
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Heroes On Stage and Off: Christopher Morley reports on Regents Opera’s continuing ‘Ring’ cycle
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Hilan Warshaw, ‘Music Made Visible’: Sergei Eisenstein’s ‘Die Walküre’ and the Birth of Vertical Montage
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Hilda Meldrum Brown, Richard Wagner and the ‘Zurich writings’ 1849–51: From Revolution to ‘Ring’
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Holding Fire: Roland Matthews has mixed feelings about the first instalment of Richard Jones’s third foray into the ‘Ring’ cycle
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