Collection: Products
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John Pierce O’Reilly, ‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s Late Music Dramas
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John Warner, ‘Es klang so alt, und war doch so neu’: Wagner’s Greatest Myth: Musical Historicism in ‘Die Meistersinger von Nürnberg’
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Jonas Karlsson, Bernhard Loeser and the Berlin Premiere of ‘Die Meistersinger’
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Jonas Karlsson, Wagnerian Iconography in the ‘Kladderadatsch’, 1914–1944
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Jonas Karlsson, ‘In that hour it began’? Hitler, ‘Rienzi’, and the Trustworthiness of August Kubizek’s ‘The Young Hitler I Knew’
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Jonathan Kregor, Liszt’s Wagner
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Joseph Horowitz, Ludwig Revisited
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Jospeh Horowitz, Remembering Artur Bodanzky
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Judith Cabaud and Barry Millington, ‘A Breath of Sorrow’: The Tragic Romance of Richard Wagner and Mathilde Wesendonck with six poems of Mathilde’s published for the first time
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Just the Way the Master Wanted It? David Breckbill weighs the pros and cons of a major new work on Wagner conductors
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Justin Mueller, The Remediated Soundscape of Syberberg’s ‘Parsifal’
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Karajan Recidivus: Arnold Whittall assesses Christian Thielemann’s homage to Herbert von Karajan’s Salzburg ‘Walküre’
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Karin Martensen, Being Isolde: The Theory and Practice of Anna Bahr-Mildenburg
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Kate Hopkins, A Wagnerian Novel: Willa Cather’s ‘The Song of the Lark’
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Kate Hopkins, Agents of Loving Empathy: Wagner Heroines Reassessed
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Kate Hopkins, Deluded Neurotic or Visionary Woman of the Future? Senta Revalued
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