Collection: Products
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Just the Way the Master Wanted It? David Breckbill weighs the pros and cons of a major new work on Wagner conductors
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Justin Mueller, The Remediated Soundscape of Syberberg’s ‘Parsifal’
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Karajan Recidivus: Arnold Whittall assesses Christian Thielemann’s homage to Herbert von Karajan’s Salzburg ‘Walküre’
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Karin Martensen, Being Isolde: The Theory and Practice of Anna Bahr-Mildenburg
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Kate Hopkins, A Wagnerian Novel: Willa Cather’s ‘The Song of the Lark’
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Kate Hopkins, Agents of Loving Empathy: Wagner Heroines Reassessed
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Kate Hopkins, Deluded Neurotic or Visionary Woman of the Future? Senta Revalued
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Kate Hopkins, Much More than Volume: Richard Wagner and the Voice
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Katharina Wagner in conversation with Clemens Risi, The Bayreuth ‘Meistersinger’: Some Thoughts on its Production
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Katherine R. Syer, Michael Levine and the COC ‘Ring’
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Katherine R. Syer, Review of Audi ‘Ring’ DVD
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Katherine Syer, Echoes of the Green Hill: Detecting the Influence of Bayreuth in Three Contrasting Productions of ‘Tristan’
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Katherine Syer, Setting the Record Straight: Wendelin Weißheimer and the Wagners
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Katherine Syer, ‘Die Frau ohne Schatten’: A Wagnerian Succession Story
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Katherine Syer, ‘It was obviously meant to be’: An Interview with Pietari Inkinen
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Katherine Syer, ‘Ring’ in the New Century
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