Collection: Products
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Long Day’s Journey Into Night: Diane V. Silverthorne reviews a highly contemporary reading of ‘Tristan und Isolde’ at the Aix-en-Provence Festival
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Look East: Rosamund Bartlett considers a timely study of Wagner in the Slavic lands
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Looking for Trouble: Barry Millington is perplexed by a new study of Wagner
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Losing one’s Head: Roger Allen is stimulated and provoked by a magisterial new study of Wagner
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Lost in the Set: The giant high-tech set is not the problem with this ‘Götterdämmerung’, argues Wayne Gooding of the Met’s concluding ‘Ring’ instalment
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Love Actually: Christof Loy’s new production of ‘Tannhäuser’ and Philipp Stölzl’s revival of ‘Parsifal’ prompt Michael Fuller to reflect on religion in our time
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Love is the Drug: Michael Fuller admires the richness and complexity of Graham Vick’s ‘Tristan’ in Berlin
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Love’s Labours Won: Matthew Rye reviews a production of ‘Tristan’ that draws parallels between opera, literature and biography
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Luca Maria Spagnuolo and Andrea Camparsi, Wagner’s Italian Voice: Avellino’s Wagnerian Digital Library
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Made to Measure: Richard Laing considers the merits of reduced versions of two works of Wagner
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Maestro versus Meister: Roderick Swanston is swept up by a study of two 19th-century cultural colossi
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Maiden Voyage: Matthew Rye hears the siren call of German Romanticism in a Wagner-inspired choral journey
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Making Overtures: John Warner welcomes the recording premiere of Wagner’s Concert Overture in D minor but is disappointed by the lack of a larger vision
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Malcolm Miller, Spinning the Yarn: Intertextuality in Wagner’s Use and Reuse of his Songs in his Operas
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Malcolm Miller, Wagner’s Early Songs in Orchestrations by Felix Mottl and Hans Werner Henze
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Malcolm Miller, ‘This Round of Songs’: Cyclic Coherence in the Wesendonck Lieder
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