Collection: Products
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Left in the Dark: Matthew Rye finds that a close-up view of Guy Cassiers’s Milan ‘Ring’ does little to reveal what it’s all about
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Legendary ‘Lohengrin’: David Breckbill appreciates a record of the historic Wieland Wagner production
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Leo Cabranes-Grant, Kierkegaard, Wagner and the Quest for Operatic Immediacy
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Liszt on ‘Lohengrin’ (or: Wagner in absentia), Part 1, translation from ‘The Monthly Musical Record’ introduced and edited by David Trippett
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Liszt on ‘Lohengrin’ (or: Wagner in absentia), Part 2, translation from ‘The Monthly Musical Record’ edited by David Trippett
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Liszt on ‘Lohengrin’ (or: Wagner in absentia), Part 3, translation from ‘The Monthly Musical Record’ edited by David Trippett
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Lockdown Grail: Vienna’s Covid-struck ‘Parsifal’ is now available as a thought-provoking CD set, writes Arnold Whittall
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Long Day’s Journey Into Night: Diane V. Silverthorne reviews a highly contemporary reading of ‘Tristan und Isolde’ at the Aix-en-Provence Festival
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Look East: Rosamund Bartlett considers a timely study of Wagner in the Slavic lands
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Looking for Trouble: Barry Millington is perplexed by a new study of Wagner
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Losing one’s Head: Roger Allen is stimulated and provoked by a magisterial new study of Wagner
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Lost in the Set: The giant high-tech set is not the problem with this ‘Götterdämmerung’, argues Wayne Gooding of the Met’s concluding ‘Ring’ instalment
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Love Actually: Christof Loy’s new production of ‘Tannhäuser’ and Philipp Stölzl’s revival of ‘Parsifal’ prompt Michael Fuller to reflect on religion in our time
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Love is the Drug: Michael Fuller admires the richness and complexity of Graham Vick’s ‘Tristan’ in Berlin
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Love’s Labours Won: Matthew Rye reviews a production of ‘Tristan’ that draws parallels between opera, literature and biography
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Luca Maria Spagnuolo and Andrea Camparsi, Wagner’s Italian Voice: Avellino’s Wagnerian Digital Library
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