Collection: Products
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Models, Muses and a Missing Masterpiece: Barry Emslie is unimpressed by faux radicalism in Robert Carsen’s ‘Tannhäuser’
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More Than a Wolf Man: Niall Hoskin admires the artistry of a fine baritone sadly typecast by recording companies
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More Than the Sum of Its Parts: The first instalments of a new multi-director ‘Ring’ prove that the lack of an overriding vision is no bar to success, suggests Matthew Rye
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Motifs of Reminiscence: Mike Ashman enjoys a trio of artists’ memoirs
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Mounting Excitement: Barry Emslie is much taken with the Copenhagen ‘Tannhäuser’
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Moving in Higher Circles: Imaginative sets partially compensate for variable singing in the Frankfurt ‘Ring’, finds Barry Millington
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Murder Mystery: Richard Laing is thrilled by a brilliant Brabantian ‘whodunnit’
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Musical Chairs: Edward Christian-Hare reports on the Saffron Opera Group’s latest and boldest project
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Mythic Mash-Up: Roland Matthews finds La Scala’s ‘Götterdämmerung’ to be a mixed affair
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Naval Gazing: Simon Morgan concludes that a director’s over-reliance on visual stimulation can leave his audience all at sea
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Na’ama Sheffi, Sound of Silence and Struggle: Wagner and the Israelis
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New Blood: It’s the end of an era in Berlin, though some things never change, finds Hugo Shirley
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New Perspectives on the ‘Ring’: Katherine Syer reports on a pair of cycles recently initiated in Milan/Berlin and Frankfurt
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Niall Hoskin, ‘Ein edler Werk zu tun’: An Appreciation of Norman Bailey (1933–2021)
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Nicholas Vazsonyi, Wagner®: The Making of a Brand
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Nicholas Vazsonyi, Warning: Consuming Wagner Can be Hazardous to your Health. ‘Tristan und Isolde’ and ‘Death in Venice’
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