Collection: Products
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Musical Chairs: Edward Christian-Hare reports on the Saffron Opera Group’s latest and boldest project
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Naval Gazing: Simon Morgan concludes that a director’s over-reliance on visual stimulation can leave his audience all at sea
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Na’ama Sheffi, Sound of Silence and Struggle: Wagner and the Israelis
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New Blood: It’s the end of an era in Berlin, though some things never change, finds Hugo Shirley
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New Perspectives on the ‘Ring’: Katherine Syer reports on a pair of cycles recently initiated in Milan/Berlin and Frankfurt
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Niall Hoskin, ‘Ein edler Werk zu tun’: An Appreciation of Norman Bailey (1933–2021)
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Nicholas Vazsonyi, Wagner®: The Making of a Brand
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Nicholas Vazsonyi, Warning: Consuming Wagner Can be Hazardous to your Health. ‘Tristan und Isolde’ and ‘Death in Venice’
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Nicolas Bell, Wagner Manuscripts at the British Library
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Nila Parly, Visions of the ‘Ring’
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Nina Parly, Doing the Diva Dying: Performative Studies of Death in ‘Tristan und Isolde’
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No Apologies for Nuremberg: Jerry Floyd finds Harry Kupfer’s new Zurich ‘Meistersinger’ as evanescent as the bubbles blown in Act III
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No Escaping Wagner: Arnold Whittall wonders if Bryan Gilliam doth protest too much in his efforts to distance Strauss from Wagner
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No Hiding Place: Arnold Whittall enjoys a revealing concert performance of ‘Parsifal’ in Birmingham
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No Nothung: Barry Millington assesses Longborough’s pared-down ‘Walküre’
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No Regrets: Michael Fuller assesses productions of ‘Lohengrin’ in Zurich and Amsterdam
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