Collection: Products
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Not Richard and Famous: Chris Walton is entertained by a biography of a composer who played bit parts in the lives of Wagner and Strauss
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Not So Simply Divine: Jürgen Thym admires a dense but persuasive theological exegesis of the ‘Ring’
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Not Taking it Seriously: Roland Matthews feels short-changed by a production of Wagner’s early comedy
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Not the Last Word: Heath Lees enjoys a colourful but far from complete history of ‘wagnérisme’
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Notes from Behind a Biedermeier Column: The new Zurich ‘Holländer’ is assessed on the concert platform in London by Tash Siddiqui and on stage in Zurich by Laura Möckli
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Nothing’s Stirring in the Forest: Jurowski’s magnificent conducting did not make up for visual shortcomings in his semi-staged ‘Siegfried’, finds Niall Hoskin
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Nuremberg Life and Afterlife: Roland Matthews is concerned that David McVicar’s Glyndebourne production of ‘Meistersinger’ fails to take account of its legacy
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Nuremberg with Cranach and Acrobats: Mark Berry reports on a revival of Harry Kupfer’s Berlin ‘Meistersinger’
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Nuremberg’s Got Talent: Barry Millington finds little to lift the spirits in the Munich ‘Meistersinger’
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O, That We Were There! Richard Laing considers a frustrating recording of an extraordinary performance
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Ode to Beethoven: David Cormack greets a new critical translation of a landmark Wagner essay
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Old Hand in New Bayreuth: David Breckbill examines the complex artistry of Knappertsbusch
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Old School Tie-In: Richard Laing re-experiences an early lesson on the ‘Ring’, with mixed emotions
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On the Threshold: Matthew Rye listens to three vocal discs featuring leading singers at key junctures of their careers
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Opening up the Grail: Katherine Syer applauds an inclusive approach to ‘Parsifal’
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Otto Rank, The Incest Motif in Wagner, translated by Anthony Negus, introduced and edited by Christopher Wintle
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