Collection: Products
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Arnold Whittall, Directions in Wagner Analysis since 2013
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Arnold Whittall, From Wagner to Boulez: A Modernist Trajectory
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Arnold Whittall, Heroic Gestures and Family Values in Wagner’s ‘Ring’
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Arnold Whittall, Reviews of Sawallisch, Ötvös and Thielemann ‘Parsifal’
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Arnold Whittall, Telling Tales: Variations on Wagnerian Themes
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Arnold Whittall, ‘Accompanied by solemn songs’: Wagner's ‘Ring’ as it might have been
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Arnold Whittall, ‘Tannhäuser’: The Rhetoric of Opposition in Wagner’s Romantic Operas
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Arnold Whittall: A Public–Private Partnership: Wagner’s Voices in ‘Die Meistersinger’
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Art Matters: Katharina Wagner’s ’Meistersinger’ grapples with the fundamental issues of the work, finds Barry Emslie
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Asking the Right Questions: Barry Millington enjoys a new Bayreuth ‘Lohengrin’ that sides with Elsa
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At Home with Wagner: Michael Fuller samples productions in Antwerp, Brussels and Helsinki, courtesy of the OperaVision website
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At Sixtus and Sevens: A study of Mahler’s Seventh Symphony reveals Wagner’s ‘Meistersinger’ as one of many intertexts, John Warner finds
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At the End of the Line: Patrick Carnegy bids farewell to Nikolaus Lehnhoff’s secular staging of ‘Parsifal’
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Back to Basics in Berlin: Hugo Shirley sees the advantages of a stripped-down production
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Back to Basics: Simon Williams is entranced by a production of ‘Tristan’ that imprisons its audience as much as its characters
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Back to Berlin: Mark Berry appraises three Wagner revivals at the Deutsche Oper
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