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All Hail to the Hallé ‘Ring’: Niall Hoskin salutes the third instalment of a Mancunian cycle

All Hail to the Hallé ‘Ring’: Niall Hoskin salutes the third instalment of a Mancunian cycle

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All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary

All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary

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All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself

All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself

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All the World’s a Stage: Matthew Rye reviews productions of Wagner’s last three standalone stage works in Germany and France

All the World’s a Stage: Matthew Rye reviews productions of Wagner’s last three standalone stage works in Germany and France

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All the World’s a Stage: Patrick Carnegy welcomes a film that explores the composer’s present-day global reach

All the World’s a Stage: Patrick Carnegy welcomes a film that explores the composer’s present-day global reach

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All you Need is Love: Mark Berry is stimulated by a controversial new study of Wagner’s works

All you Need is Love: Mark Berry is stimulated by a controversial new study of Wagner’s works

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All’s Not So Fair in Love and War: There’s violence aplenty in Paris, as Roland Matthews discovers

All’s Not So Fair in Love and War: There’s violence aplenty in Paris, as Roland Matthews discovers

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Alma Schindler-Mahler, ‘Einsamer Gang’

Alma Schindler-Mahler, ‘Einsamer Gang’

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American Gods: Simon Williams is enthralled by Santa Fe’s ‘Walküre’

American Gods: Simon Williams is enthralled by Santa Fe’s ‘Walküre’

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An Affair to Forget: David Evans finds that Jens Neubert’s film takes a few liberties with the truth

An Affair to Forget: David Evans finds that Jens Neubert’s film takes a few liberties with the truth

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An Album with the Stamp of Greatness: Barry Millington is impressed by a solo disc from Juha Uusitalo

An Album with the Stamp of Greatness: Barry Millington is impressed by a solo disc from Juha Uusitalo

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An Angel Descends: Susan Bullock’s new recording of the Wesendonck Lieder is welcomed by Malcolm Miller

An Angel Descends: Susan Bullock’s new recording of the Wesendonck Lieder is welcomed by Malcolm Miller

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Regular price Sale price From £2.00 GBP
An Evening of Shifting Colours: Anja-Rosa Thöming reports on the next instalment of Dresden’s historically informed ‘Ring’

An Evening of Shifting Colours: Anja-Rosa Thöming reports on the next instalment of Dresden’s historically informed ‘Ring’

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Anja-Rosa Thöming, Academic Research meets Theatrical Practice: The Historically Informed Performance of the ‘Ring’ cycle at the Dresden Music Festival

Anja-Rosa Thöming, Academic Research meets Theatrical Practice: The Historically Informed Performance of the ‘Ring’ cycle at the Dresden Music Festival

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Anja-Rosa Thöming, ‘Clairvoyance Psychologique’: Thomas Mann’s 1933 Wagner Lecture and its Consequences

Anja-Rosa Thöming, ‘Clairvoyance Psychologique’: Thomas Mann’s 1933 Wagner Lecture and its Consequences

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Anna Stoll Knecht, Mahler’s ‘Parsifal’

Anna Stoll Knecht, Mahler’s ‘Parsifal’

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All Hail to the Hallé ‘Ring’: Niall Hoskin salutes the third instalment of a Mancunian cycle

All Hail to the Hallé ‘Ring’: Niall Hoskin salutes the third instalment of a Mancunian cycle

All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary

All in the Family: Tim Blanning reviews two of Tony Palmer’s key films on Wagner and Eva Rieger presents an alternative view of his documentary

All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself

All the World’s a Stage: In the revival of Tim Albery’s ‘Tannhäuser’, Michael Fuller sees theatre observing itself

All the World’s a Stage: Matthew Rye reviews productions of Wagner’s last three standalone stage works in Germany and France

All the World’s a Stage: Matthew Rye reviews productions of Wagner’s last three standalone stage works in Germany and France

All the World’s a Stage: Patrick Carnegy welcomes a film that explores the composer’s present-day global reach

All the World’s a Stage: Patrick Carnegy welcomes a film that explores the composer’s present-day global reach

All you Need is Love: Mark Berry is stimulated by a controversial new study of Wagner’s works

All you Need is Love: Mark Berry is stimulated by a controversial new study of Wagner’s works

All’s Not So Fair in Love and War: There’s violence aplenty in Paris, as Roland Matthews discovers

All’s Not So Fair in Love and War: There’s violence aplenty in Paris, as Roland Matthews discovers

Alma Schindler-Mahler, ‘Einsamer Gang’

Alma Schindler-Mahler, ‘Einsamer Gang’

American Gods: Simon Williams is enthralled by Santa Fe’s ‘Walküre’

American Gods: Simon Williams is enthralled by Santa Fe’s ‘Walküre’

An Affair to Forget: David Evans finds that Jens Neubert’s film takes a few liberties with the truth

An Affair to Forget: David Evans finds that Jens Neubert’s film takes a few liberties with the truth

An Album with the Stamp of Greatness: Barry Millington is impressed by a solo disc from Juha Uusitalo

An Album with the Stamp of Greatness: Barry Millington is impressed by a solo disc from Juha Uusitalo

An Angel Descends: Susan Bullock’s new recording of the Wesendonck Lieder is welcomed by Malcolm Miller

An Angel Descends: Susan Bullock’s new recording of the Wesendonck Lieder is welcomed by Malcolm Miller

An Evening of Shifting Colours: Anja-Rosa Thöming reports on the next instalment of Dresden’s historically informed ‘Ring’

An Evening of Shifting Colours: Anja-Rosa Thöming reports on the next instalment of Dresden’s historically informed ‘Ring’

Anja-Rosa Thöming, Academic Research meets Theatrical Practice: The Historically Informed Performance of the ‘Ring’ cycle at the Dresden Music Festival

Anja-Rosa Thöming, Academic Research meets Theatrical Practice: The Historically Informed Performance of the ‘Ring’ cycle at the Dresden Music Festival

Anja-Rosa Thöming, ‘Clairvoyance Psychologique’: Thomas Mann’s 1933 Wagner Lecture and its Consequences

Anja-Rosa Thöming, ‘Clairvoyance Psychologique’: Thomas Mann’s 1933 Wagner Lecture and its Consequences

Anna Stoll Knecht, Mahler’s ‘Parsifal’

Anna Stoll Knecht, Mahler’s ‘Parsifal’

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