Collection: Products
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Philippe Olivier, The ‘Ring’ in France 1911–2006
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Poetic Truths: David Matthews brings a composer’s perspective to a study of creative inspiration
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Polished ‘Ring’: David Breckbill hails the Thielemann cycle as one of the finest ever recorded
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Prize Offering: Nicholas Vazsonyi is impressed by a study considering the historical and cultural contexts of ‘Die Meistersinger von Nürnberg’
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Pro and Contra Castorf: Mark Berry, Tash Siddiqui and Peter Bloom report from Bayreuth
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Profession and Faith: A study of the emerging role played by Jews in the musical business represents a welcome riposte to Wagner’s notorious essay, suggests Jonas Karlsson
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Puppy Love: Barry Emslie is unimpressed by an artless apologia for Wagner
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Putting on an Act: Star billing fails to redeem a skittish guide to Wagner, finds Niall Hoskin
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Quarts into Pint Pots: As Matthew Rye discovers, no German theatre seems too small or unambitious to stage Wagner’s most demanding music dramas
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Quarts into Pint Pots: Matthew Rye reviews two discs of Wagnerian piano arrangements
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Questions, Questions: Michael Fuller is stimulated by the issues raised in two productions of ‘Lohengrin’
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Raff Riff: Chris Walton welcomes a reassessment of Wagner disciple Joachim Raff and his friendship with Hans von Bülow
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Rainbow Bridge Over Troubled Water: With its future under threat, English National Opera serves up a ‘Rhinegold’ to treasure, writes Roland Matthews
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Rattle Strafed in Vienna’s Ringstraße: Barry Millington experiences an austere and superbly conducted ‘Ring’ production but is shocked by the reception
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Re-invention of Tradition, or, Effect with Cause: Mark Berry is bowled over by Stefan Herheim’s new Salzburg staging of ‘Die Meistersinger’
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Realism and its Discontents: Simon Williams surveys a multi-authored study of Wagner and Verdi production
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