Collection: Products
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Rebel with a Cause: Life was tough for a black sheep of the Wagner family, finds Tim Blanning
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Recycling, Rodents and Redemption: Barry Millington reports on this year’s offering at Bayreuth
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Red ‘Ring’ for Paris: The first complete cycle at the Opéra for half a century gets under way, reports Mark Berry
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Redemption at the Home Office? Richard Moukarzel is inspired by Opera North’s social conscience
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Redemption Laid Bare: Roland Matthews applauds Opera North’s latest Wagnerian concert staging
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Refuge Collection: Michael Fuller finds that the rewards of an entertainment based around the Wagners and the Wesendoncks prove more musical than dramatic
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Reggie Redivivus: Roger Allen welcomes back a judicious, well-researched biography of Goodall
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Remembrance of Things Past: Hermann Grampp compares the Deutsche Oper’s recent Wagner productions to their predecessors, and finds some wanting
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Requiem for Schlingensief’s ‘Parsifal’: Paula M. Bortnichak and Edward A. Bortnichak offer an intriguing interpretation of the controversial production, now in its last year
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Required Reading in Riesenheim: Evan Baker hails a monumental new history of the Bayreuth Festival
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Reservoir Gods: Barrie Kosky’s new production of ‘Das Rheingold’ reminds Richard Laing that we’re all doomed
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Restricted View: The WNO ‘Meistersinger’ lacks a crucial dimension, finds Barry Millington
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Restricted Vision: A fifty-CD bicentenary set fails to do justice to the Bayreuth legacy, says David Breckbill
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Resurrection in Venice: David Matthews enjoys a recording of a new realisation of Wagner’s last symphonic sketches
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Rewriting the Plot: Mark Berry is left confused by some of Günter Krämer‘s directorial decisions in the concluding parts of his Paris ‘Ring’
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Richard H. Bell, Teleology, Providence and the ‘Death of God’: a New Perspective on the ‘Ring’ Cycle’s Debt to G.W.F. Hegel
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