Collection: Products
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Roger Allen, Of Bridge-Builders, Arch-Critics and Miniaturists: The Art of Wagner Conducting
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Roger Allen, ‘Das, was eigentlich Musik’: Richard Wagner’s reception of Beethoven’s Piano Sonata No. 28, Op. 101
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Roger Allen, ‘Enthüllet den Gral’: Towards a Methodology of Historical Wagner Recordings
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Roger Allen, ‘On the Destiny of Opera’: The Musically Conceived Drama or ‘Deeds of Music made Visible’
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Roger Allen, ‘The old order changeth, yielding place to new’: ‘Siegfried’ Act III, Scene 1
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Roger Hollinrake, Review of Mark Berry, ‘Treacherous Bonds’
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Role Play: Chris Walton is stimulated by a new study of Wagner’s view of women
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Round the Houses: Chris Walton enjoys a lavishly illustrated tour around some of the most significant places in Wagner’s itinerant life
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Russell Burdekin, Darkening the Auditorium at Bayreuth in 1876
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Ryan M. Prendergast, Deadly Serious: Humour and Humourlessness in ‘Die Meistersinger von Nürnberg’
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Sachs Appeal: Mark Berry sees a worrying reactionary trend reflected in a call to arms against ‘Regietheater’ by a leading former Wagnerian baritone
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Sailing By: Matthew Rye senses missed opportunities in a live concert recording of the ‘Dutchman’
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Samuel L. Leiter, Brooklyn and the ‘Parsifal’ Craze of 1904: Or, How a 50-Cent Stock Company turned Wagner’s Music Drama into a Drama with Music
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Scenes from Provincial Life: Matthew Rye explores some of the bicentennial offerings in Germany away from the bright lights of the biggest cities
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Schenkian Prolongation: Edward A. and Paula M. Bortnichak enjoy the Met’s latest ‘Meistersinger’ revival despite the veteran production’s lack of insight
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School for Scandal: Michael Fuller ponders a new staging of ‘Die Meistersinger’ at the Deutsche Oper, Berlin
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