Collection: Products
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Between Worlds: The new Seattle ‘Tristan’ explores the threshold between life and death, reports Andrew Moravcsik
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Beyond Dreams: Katherine Syer values an approach to ‘Meistersinger’ that engages with the creative process as well as the stage history of the work
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Blasts from the Past: Richard Laing enjoys a brace of historic recordings
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Bleak Expectations: Simon Williams finds the themes in Francesca Zambello’s San Francisco ‘Ring’ needing a little more work
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Blood Sacrifice: Michael Fuller finds intriguing resonances in Geneva’s new ‘Tannhäuser’
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Bloody Instructions: Michael Fuller looks for more than gore in Michael Thalheimer’s Geneva ‘Parsifal’
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Body Building the ‘Ring’: Tash Siddiqui is deeply impressed by the new Munich ‘Ring’ cycle, yet ultimately disappointed by the lack of a larger vision
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Bold Knights and Lovely Ladies: Edward Haymes assesses a new prose translation of the ‘Nibelungenlied’
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Boon Companion: Tash Siddiqui goes Dutch with a trusty old friend and guide
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Born-again Redeemer: Nicholas Baragwanath celebrates the return of an old friend
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Bosch Job: Tash Siddiqui hopes we have finally seen the last of Covent Garden’s ‘Meistersinger’ and its comedy codpieces
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Brave New Worlds: Matthew Rye reviews a small selection of last season’s German Wagner productions
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Breaking Free: Matthew Rye reviews two instalments in ongoing ‘Ring’ cycles that explore different aspects of freedom and entrapment
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Bridging the Sexual Divide: Barry Millington is stimulated but ultimately unmoved by François Girard’s new ‘Parsifal’ for the Met
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Broadly Satisfying: Niall Hoskin welcomes the final instalment of Mark Elder’s Hallé ‘Ring’
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Brooke McCorkle Okazaki, Gender, Japan and the Takarazuka Revue’s 1968 ‘Tristan and Isolde’
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