Collection: Products
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Barry Millington, Wagner and the ‘English Musical Renaissance’
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Battle of the Giants: Strong casting and conducting both feature in rival new ‘Rheingold’ recordings, reports Niall Hoskin
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Bayreuth Bulldozer: David Breckbill finds Böhm’s inexorable ‘Meistersinger’ unsettling
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Bayreuth Festival: Barry Millington on a new chapter in the history of Bayreuth
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Beauty Unveiled: Barry Millington reports on a new ‘Parsifal’ and a revived ‘Tristan’ at Bayreuth
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Beginning at the End of the World: Richard Laing reports on a new production of ‘Götterdämmerung’ which includes several encouraging role debuts
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Behind the Classical Façade: Michael Dyson appraises a study of the politics of Hellenism
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Behind the Scenes at the Opera: Matthew Rye finds a documentary on the creation of the Mannheim ‘Ring’ by iconoclastic artist/director Achim Freyer as frustrating as it is perceptive
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Bel Canto Wagner: Niall Hoskin enjoys the CD debut of the soprano Jenufa Gleich
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Below the Gold Standard: Mark Berry has reservations about the Aix ‘Siegfried’
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Ben Winters, ‘Magic Fire’: A Wagner Film with a Difference
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Berliner Luft: David Breckbill finds uniformity of recording conditions is not matched by consistency in casting in a complete cycle of the canonical music dramas
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Berliners take the Palm in Provence: Mark Berry awards top marks to the orchestra in the first DVD instalment of the Aix ‘Ring’
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Better on the Big Screen: Wayne Gooding reflects on the role of technology in the Met’s new ‘Rheingold’
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Better than Bayreuth? Niall Hoskin enjoys an account of Longborough Festival Opera’s improbable success
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Between the Devil and the Deep Blue Sea: Richard Laing likes the cut of this Dutchman’s jib
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