Collection: Products
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Brave New Worlds: Matthew Rye reviews a small selection of last season’s German Wagner productions
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Breaking Free: Matthew Rye reviews two instalments in ongoing ‘Ring’ cycles that explore different aspects of freedom and entrapment
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Bridging the Sexual Divide: Barry Millington is stimulated but ultimately unmoved by François Girard’s new ‘Parsifal’ for the Met
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Broadly Satisfying: Niall Hoskin welcomes the final instalment of Mark Elder’s Hallé ‘Ring’
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Brooke McCorkle Okazaki, Gender, Japan and the Takarazuka Revue’s 1968 ‘Tristan and Isolde’
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Brünnhilde Stops the Show: Michael Fuller hails the commencement of a new ‘Ring’ in Basel, and eagerly awaits its conclusion
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Bryan Coxson, ‘A Contented Little Band of Artists’: The Manchester Six-Night ‘Ring’ Cycle
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Bryan Magee, Wagner and Thomas Love Peacock: An Unlikely Alliance
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Burning Down the House: Michael Fuller finds Richard Jones’s Munich ‘Lohengrin’ still packs a punch
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Burnt Offering: Barrie Kosky’s post-apocalyptic ‘Ring’ continues to be both relevant and original, as Richard Laing discovers
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Cain and Abel with a Happy Ending: Glyndebourne’s first ‘Parsifal’ is musically outstanding but dramatically reduced, finds Tash Siddiqui
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Carnegy Medals Again: Tash Siddiqui welcomes a collection of essays by the first dramaturg of the Royal Opera House
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Casting a Long Shadow: Roger Allen considers two new translations of Wagner’s influential essay ‘On Conducting’
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Chang Tou Liang, Wagner in the Tropics
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Charlotte Purkis, Passion or Fashion? British Female Wagnerites ‘Out and About’ Around 1900
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Checking out the Competition: Hermann Grampp outlines the work of three heavyweights of German Wagner scholarship with reference to their bicentenary contributions
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