Collection: Products
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Seeing and Believing: Tom DeRose contrasts an unorthodox psychoanalytic reading of ‘Parsifal’ with a more orthodox account
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Seeing the Wood for the Trees: Matthew Rye attempts to cut a path through the thicket of ideas in a daringly original take on ‘Tannhäuser’
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Seeking Enlightenment: Nicholas Baragwanath welcomes an excellent new companion to ‘Parsifal’
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Seht Ihr’s, Freunde? Rachel Nicholls finds the late Stephen Gould’s book to be a fitting legacy
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Semper Not Fidelis: Michael Fuller visits Dresden to find a playful Konwitschny ‘Tannhäuser’ outclassed by a sombre ‘Holländer’
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Sense and Sensuality: Ian Palmer eyes the Venusberg in a richly cast new Paris ‘Tannhäuser’ from Covent Garden
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Settling Scores: Eva Rieger’s biography of Friedelind Wagner fills in gaps in the fractious history of New Bayreuth, finds Barry Millington
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Shades of Grey: Michael Fuller has reservations about a reinterpretation of the ‘Holländer’ as Erik’s dream
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Sheep, Goats and Metaphysics in ‘Tristan’: Mark Berry is not fully convinced by a new production in Wagner’s home city
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Shepherd Calls the Tune: Arnold Whittall investigates a provocative reading of ‘Tristan und Isolde’ that centres on the Act III ‘alte Weise’
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Shipshape in Lübeck: David Ames is impressed by a Hanseatic ‘Tristan’ despite some unfortunate cuts
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Siegfried’s Isar Journey: Dexter Drown admires much – but not all – of Simon Rattle’s new recording of the third ‘Ring’ opera
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Sigmund Freud, ‘Totem and Taboo’ (extract)
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Simon Trezise, Reflections on Phrasing and Expressive Gesture in Wagner Singing
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Simon Trezise, The Mapleson Cylinders: Wagner at the Met, 1900–1904
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Simon Williams, Timely Timelessness: ‘Regietheater’ at Bayreuth in the 1970s
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