Collection: Products
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Simon Trezise, Reflections on Phrasing and Expressive Gesture in Wagner Singing
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Simon Trezise, The Mapleson Cylinders: Wagner at the Met, 1900–1904
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Simon Williams, Timely Timelessness: ‘Regietheater’ at Bayreuth in the 1970s
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Singers playing Singers playing Characters: Nila Parly watches the Copenhagen ‘Tristan’ take shape and talks to its director, Stig Andersen
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Singing for Hitler: A new biography of Frida Leider does not skate over the moral issues of the great singer’s wartime career, finds Barry Emslie
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Slimmed-Down Wagner: Matthew Rye listens to a pair of recordings that give Wagner’s dramas new life in different contexts
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Slipway to Heaven: Michael Fuller’s survey of the spring’s streamed performances sees the gradual return of audiences and takes him from shipyard to prison
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Snake Charms in Unsettling ‘Parsifal’: Peter Quantrill assesses two contrasting productions
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Some Seductive Evening: Michael Fuller is wowed afresh by the music of ‘Tristan’
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Something is Rotten in the State of Brabant: In the wake of the 6 January Capitol riot, Richard Laing is struck by the contemporary resonance of Stuttgart’s 2018 production
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Something Moving in the Forest: Wayne Gooding assesses the gains and losses of technological wizardry in the Met’s ‘Siegfried’
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Something New, Something Borrowed: Michael Fuller enjoys a Konwitschny ‘Ring’ in Dortmund, while not being entirely persuaded
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Son of Felsenstein triumphs at Dessau: Barry Emslie salutes the continuation of a distinguished tradition
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Song and Dance: Matthew Rye reviews two highly contrasting versions of ‘Tannhäuser’ on DVD
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Sonic Echoes: David Breckbill compares two roughly contemporaneous historic ‘Ring’ releases
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Sound and Sense: Arnold Whittall appraises a new study of the influence of Wagner on Mallarmé
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