Collection: Products
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Sound and Sense: Arnold Whittall appraises a new study of the influence of Wagner on Mallarmé
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Soup, Soap and Salvation: Erling E. Guldbrandsen assesses a radical new approach to ‘Tannhäuser’
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Stand and Deliver! Matthew Rye assesses whether concert performances can lead to satisfying listening experiences on disc
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Stars In Their Eyes: Matthew Rye is impressed by a new production of ‘Tristan und Isolde’ in Mannheim that cements the Wagnerian credentials of its conductor
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Steam and Hot Air: Tash Siddiqui is entertained but frustrated by an over-theorised exploration of Wagnerian stage technologies
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Stella P. Revard, Making All Things New: From ‘Paradise Lost’ to the ‘Ring’
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Stephen Gee, Wagner’s ‘Parsifal’: A Hymn of Purity and Danger
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Stephen Johnson, Janne’s Rhine Journey: What Sibelius Learned From Wagner
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Stewart Spencer, Wagner and Gaetano Ghezzi
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Storming the Temple: Frank Castorf’s new ‘Ring’ is an assault as much on the Bayreuth audience as on oil-fuelled capitalism, reports Barry Millington
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Strait into the Saddle: Matthew Schmidt hails the Singapore premiere of ‘Die Walküre’
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Strangely Shrunken ‘Siegfried’: Niall Hoskin is unimpressed by an ill-judged selection of bleeding chunks from the third act
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Street Scenes: Matthew Rye reports on Bayreuth’s new landlocked ‘Holländer’ from the comfort of home
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Stretched to Oblivion: John Warner finds Bernstein’s glacial ‘Tristan’ unconvincing
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Strings Attached: Barry Millington reports on contrasting productions of ‘Lohengrin’ in Berlin and London
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Stuttgart Spins the Saga: Arnold Whittall gives a cautious welcome to an innovative cycle
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