Collection: Products
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Talk about Destruction: Barry Emslie welcomes a book of essays on the theory of opera production
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Tannhäuser as Veteran Rock Star: Michael Fuller reviews Harry Kupfer’s fifth ‘Tannhäuser’
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Tash Siddiqui, Flying the Republican Colours: The 1929 Krolloper Production of ‘Der fliegende Holländer’
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Tash Siddiqui, Richard Wagner and the Mystery of Old Compton Street
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Tash Siddiqui, Strange and Forbidden Fruits: Report on the Conference at Leeds University
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Tash Siddiqui, Valhalla Online: The Wagner Journal’s New Website
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Tash Siddiqui, ‘Guy and Doll’, ‘Isolde ohne Tristan’ and a Silent Soprano
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Taste Triumphs over Drama: Mark Berry reviews the final two instalments of the Guy Cassiers ‘Ring’
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Telling a Story: Tom DeRose is enthralled by Dmitri Tcherniakov’s original take on ‘Parsifal’
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Thames Barrier: Something is preventing the flood of tears which Richard Laing usually experiences at the end of the ‘Ring’
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The Agony and the Ecstasy: Matthew Rye enjoys a perceptive interpretation of ‘Tristan und Isolde’
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The Art of Change: Patrick Carnegy considers a visionary director’s approach to opera production
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The Artwork of the Future: A Special Issue of The Wagner Journal
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The Bayreuth Wag: Chris Walton is diverted by a study of the lighter side of Wagner
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The Berlin Staatsoper Comes of Age: Barry Emslie welcomes a ‘Parsifal’ from another age
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The Best of Times, The Worst of Times: Richard Laing reflects on the delicious frustration that is the Bayreuth experience
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