Collection: Products
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The End of the World Comes to the Potomac: Paul du Quenoy sees Washington finally get its ‘Ring’ cycle
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The Eyes Have It: Niall Hoskin welcomes a study of a great Wagnerian conductor
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The Folk on the Hill: A timely history of the Wagner family is evaluated by Tim Blanning
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The Genius of the Place: Nicholas Baragwanath traces the sources of the exiled Wagner’s inspiration
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The German Homer: Arnold Whittall examines the extent of Wagner’s debt to the Greeks
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The Last Word: David Breckbill on Knappertsbusch’s final ‘Parsifal’
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The Magician of Venice: A study of the polymath Mariano Fortuny shines a light on the development of Wagnerian theatre, finds Patrick Carnegy
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The March of Time, or Time to March: Tash Siddiqui is stimulated by a lively analysis of recent German history laced with black humour
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The Mastersingers of Madrid: David Evans enjoys some light-hearted seriousness in the Spanish capital
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The Metropolitan Line: David Breckbill welcomes the chance to hear classic exponents of the great Wagnerian roles in performances recorded live at the Met
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The New ‘Parsifal’ in Copenhagen: Barry Millington, Hartmut Haenchen and Andreas Bücker
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The Norwegian Nightingale: Disappointed by an inferior transfer, Mike Ashman offers his own posthumous tribute to Ingrid Bjoner
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The Plebs Rise up: Barry Emslie welcomes a radical production of ‘Rienzi’
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The Pursuit of Reality: David Breckbill appraises three contrasting approaches to recording Wagner
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The Remains of Day: Barry Millington is captivated by an enthralling new ‘Tristan’ at Bayreuth
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The Rest is Wagner: Heath Lees hails a breathtaking conspectus of Wagnerism
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